Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Festival of Lights Fest
This is a fun and low-key event meant to encourage works about or inspired by Hanukkah, running this year in conjunction with the Potluck Bingo challenge. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
That is very interesting concept. A writer can more or less imagine what they want to in regard to her tapestries, since The Silmarillion only mentions that she depicts "all things that have ever been in Time" into her storied webs. However,if they can only see events which relate to them or their peoples, they are not going to learn very much. In any case, it is your tale to tell and it is lovely in its construction. One must imagine with your version that the tapestries are designed to be comforting and soothing, instead of informative and didactic. But here I am thinking of the Halls of Mandos as rather like a school or reformatory than a place of rest or healing. Yours might be a nicer place. It is a thought-provoking story line.
Thank you, Oshun! I should probably have been more clear in the story - anyone can see the tales of all that has been, it's merely that even if say the story is about the First Kinslaying, if a Sinda is viewing it, it would look like one of their own tapestries (unless, I suppose, they willfully tried to imagine it looking a different way). It's not that they can't see all things, it's that I didn't want to imagine tapestries where all the tales of the world are told in only style - and while it's problematic for people to only view it from their own style of tapestry, I judge it slightly less problematic than housing dead Sindar, Silvan, and Avari in Halls where they can only see work in the styles of people who have, from a certain point of view, doomed them to either live in those Halls forever or be reborn in a land that isn't theirs.
It's kind of like those art museums that only house European art - I like European art! It's just that I'd rather there be more than one style of art, and I'd rather people not have to look at only that art when they're people who have been oppressed/colonized by some European power.
My Halls are sort of healing, sort of reformatory. They're really a place with mostly flawed people who don't quite know what they're doing, learning how to understand each other.
Thanks for the clarification. I can totally see that perspective there now. You wrote and I read over it. Well, is clearer to me now. No apology needed--I should have re-read it before dashing off a comment. Anyway, it made me think a lot.
I suppose sometimes one thinks of Vaire's tapestries more unmediated like photos than of being art in a certain style, but of course even photos have their styles and these tapestries are supposed to be made with thread, even if it's supernatural thread...
Everyone would find the style they are used to easiest to read.
Ideally. I think they would be able to learn to see and read a different style, if they wished to, although many might not wish to?
Thank you! And yes, even photos do have their own style - I mean, not everything can be in the photo, the focus differs depending on who is taking it, etc.
I definitely think everyone would be able to see a different style, if they wanted to, the question is how many would actually want to (I like to think this ability is discovered by somebody whose ancestors were from two very different groups and who sees the tapestries change before them as they think of different family members).
Comments on Tapestries of Shimmering Thread
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.