Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Haleth leaves to find her brother, even though her father does not permit her to.
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Meet & Greet
For our annual Matryoshka challenge, we add an interactive component. Receive your first prompt and track down the rest by interacting with other SWG members or finding prompts posted online. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
That is very interesting concept. A writer can more or less imagine what they want to in regard to her tapestries, since The Silmarillion only mentions that she depicts "all things that have ever been in Time" into her storied webs. However,if they can only see events which relate to them or their peoples, they are not going to learn very much. In any case, it is your tale to tell and it is lovely in its construction. One must imagine with your version that the tapestries are designed to be comforting and soothing, instead of informative and didactic. But here I am thinking of the Halls of Mandos as rather like a school or reformatory than a place of rest or healing. Yours might be a nicer place. It is a thought-provoking story line.
Thank you, Oshun! I should probably have been more clear in the story - anyone can see the tales of all that has been, it's merely that even if say the story is about the First Kinslaying, if a Sinda is viewing it, it would look like one of their own tapestries (unless, I suppose, they willfully tried to imagine it looking a different way). It's not that they can't see all things, it's that I didn't want to imagine tapestries where all the tales of the world are told in only style - and while it's problematic for people to only view it from their own style of tapestry, I judge it slightly less problematic than housing dead Sindar, Silvan, and Avari in Halls where they can only see work in the styles of people who have, from a certain point of view, doomed them to either live in those Halls forever or be reborn in a land that isn't theirs.
It's kind of like those art museums that only house European art - I like European art! It's just that I'd rather there be more than one style of art, and I'd rather people not have to look at only that art when they're people who have been oppressed/colonized by some European power.
My Halls are sort of healing, sort of reformatory. They're really a place with mostly flawed people who don't quite know what they're doing, learning how to understand each other.
Thanks for the clarification. I can totally see that perspective there now. You wrote and I read over it. Well, is clearer to me now. No apology needed--I should have re-read it before dashing off a comment. Anyway, it made me think a lot.
I suppose sometimes one thinks of Vaire's tapestries more unmediated like photos than of being art in a certain style, but of course even photos have their styles and these tapestries are supposed to be made with thread, even if it's supernatural thread...
Everyone would find the style they are used to easiest to read.
Ideally. I think they would be able to learn to see and read a different style, if they wished to, although many might not wish to?
Thank you! And yes, even photos do have their own style - I mean, not everything can be in the photo, the focus differs depending on who is taking it, etc.
I definitely think everyone would be able to see a different style, if they wanted to, the question is how many would actually want to (I like to think this ability is discovered by somebody whose ancestors were from two very different groups and who sees the tapestries change before them as they think of different family members).
Comments on Tapestries of Shimmering Thread
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.