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Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Every serious House of Finwe writer has to eventually write their story of Thangorodrim. This one is difficult to read, but not without hope. (Or whatever it is that passes for hope for those living under the Curse.) Fingon's struggles and the physical details of those are communicated in a manner intense enough that reader feels like he has personally experienced them.
I liked the small scene at the end with Caranthir; it very much mirrors my own thoughts about the conflicting attitudes Maedhros' brothers mighy have had when faced with Fingon's rescue:
Caranthir tore his eyes away from his older brother and met Fingon's eyes, the traces of old friendship back warring with respect, gratitude and worry. 'And you, cousin, should I send healers to you as well?' his voice was gruff from carefully held back emotions.
Thanks for reading Oshun. Funny thing I writing Thangorodrim in such detail never entered my mind until this part of the vodka universe started clamouring for attention. It may sound odd but I am glad it was hard to read, it was hard to writ too trying to make it intense trying to catch what Fingon could have felt and had to do and so on. I wanted it to feel realistic if that makes sense with talking eagles and all ;)
Caranthir appeared from nowhere but was almost straight away torn in his reactions, the joy, the guilt... the gratitude and the renewed respect/ friendship of someone that they al seem to have been close to on the other side of the sea.
Fingon of course keeps trying to stand in the middle of it all :P Some day I might even add on another chapter to this, it feels like there should be one.
Never before I read something more graphic than this concerning Maedhros' being rescued from his torture, but is really next to what really would have happened.
Though using rough words and pictures, you really did this well, not weaving words around it, to hide the bitter and bloody trueth, but to change cruelty into mercy, and maybe some wish fullfillment, along.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.