Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I love this, the understanding between Fingon and Maedhros, the dance that they do. The underlying question of why the Valar truly released Maedhros from Mandos comes out midway, but underlies the entire grouping. And the reactions of Fingolfin to the two, as he recognizes that they truly belong together, is golden. I loved this piece so much...
Thank you so much for reading and for your generous review! I really like your description of the interaction of Fingon and Maedhros in this piece as a dance - I had not thought about it in those terms, but it very much captures something I was hoping to achieve.
‘I think they want him for something, so they gave him to me to try and patch him together again...’
What a terrifying thought. After Angbad, after Mandos.... what else is Maedhros supposed to endure? Whatever his guilt, seeing him utterly broken twice should be enough even for the Valar.
So the prospect of your next in this series is actually a bit frightening to me, though I also adore every word.
According to one of the versions of the fate of the Silmarils at the end of Arda in HoME, it is Maedhros who releases the light from them. Depending on what you think that does to Feanor, it could be a very harrowing task. However, I'm not planning to write about the breaking of the Silmarils at the moment, and what I had in mind when I wrote this story was something that you will probably consider much less terrifying... Also, I don't write the stories in the series in chronological sequence - there is at least one rather dark story still to be written, but in terms of chronology it comes before this one, so I hope it will not be too frightening!
Thank you very much for reading and reviewing and for your sympathy with my version of Maedhros!
Idolatry, a task for Maitimo... I have a feeling I know what it is about, and why it requires Maitimo to be as whole and healed as he can be at the moment. I say at the moment because there’s that final piece for his recovering still missing.
About time Fingolfin caught up! I wonder, were Finarfin’s “hints” very subtle of was the idea of his son with Maedhros too alien for him? Finarfin must have been quite frustrated with his brother not getting it. I enjoyed the difference between Fingolfin’s reaction and Finarfin’s, it showed the difference in temperament. Whether he likes it or not, Fingolfin has a little more of Fëanor in him than he realises, I always thought.
I love how you describe the relationship between Fingon and Maedhros. Maedhros still thinks he’d curse anyone he cares about, doesn’t he? Lucky for him Fingon is stubborn and won’t let him alone. Your Fingon is a sweetheart, have I mention that?
Just as Findekano firmly interposes his jutting shoulder between Maitimo and the rest of the world, that curve of Maitimo’s body seems to be trying to shield Findekano from anything that might threaten him This is a lovely image. And yes, Maitimo may not do anything to defend himself right now, but I doubt he’d hesitate to defend Findekáno.
Thank you! I'm happy you liked that image--and also very glad that you liked Fingon so much in this story!
Yes, in Finarfin's eyes the fact that Maedhros loves Fingon makes him more human (or "elven", I guess!) and less threatening than if he didn't, but in Fingolfin's eyes it makes him very alien--at least at first.
"And the image he is conjuring up is hard to resist: Maitimo going down to the garden each day for an hour to practice screaming and running away with all his customary concentration and discipline..."
I absolutely lost it when I read this line. And then the very next paragraph showed Fingon losing it as well. I love it when a writer can set a character and myself as emotional mirrors of each other, especially when it's done so hillariously. Good story.
Of all your fics set in this time period, this one is my favorite, and I'm finding it hard to pin down why. I think I just really like Fingolfin's emotional arc - he starts out blindly angry and unable to separate Maitimo from all his old perceptions and family history, but ends the story seeing the little details that reveal how real the love is between Maitimo and Findekano, and comes to quiet acceptance. And actually, the fact that Maitimo is so changed, which is established so early, makes Fingolfin seem even more conflicted since it seems those changes should be obvious.
Somewhat tangentially, I really love this line - "The soup is hot and spicy the way I like it." - because Fingon seems like the type who would. (He's brave? He can take the heat?) I love the last scene, but I think parts five and six are my favorites.
I've been meaning to review this for months. I think I'd be happy reading this, or fics like this and about this subject, forever.
I'm always a bit anxious, writing Fingolfin--but yes, that emotional arc was what I was going for here and I'm happy it seems to have worked.
I think I included that line about the spicy soup because in my mind Fingon is someone who likes things--you could perhaps say he dares to enjoy things--although I guess that sounds a bit ponderous and solemn, doesn't it?
Comments on No Way You Can Fall
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.