New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
[Writing] The Mirror Crack'd by AdmirableMonster
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
[Writing] Bon(e)fire by Fuin
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
United They Stand
Emancipation and equality can be found in the Professor's words, and we would like to challenge you to create a fanwork about this process. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Tolkien Native Language Appreciation Fest 2026
A Tumblr event to celebrate the linguistic diversity of the Tolkien fandom.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
::clutches story:: Mine! Thanks for the present, I loved it :D
It was interesting this version of Orodreth and his dependence to Finrod. In that regard he reminded me of your Maglor and his relationship with Maedhros. I loved the idea of the north wind bringing the sound of orcs and wolves! And I loved the scene with Fingon and Maedhros, peaceful despite everything as if when they are together nothing exist but them.
::great sigh of relief:: You liked it? Oh, good!!!
I hadn't thought of the resemblance to Maglor (Maedhros in the story thinks that Orodreth is like him), but now that you say it it seems obvious.
Although I don't state it clearly in the story itself, by the time of that last scene between Fingon and Maedhros years have passed and Tol Sirion has fallen to Sauron (I'm not sure whether Luthien has already taken it away from him again or not). Maedhros is thinking of kingfishers because blue is one of the colours of Fingon and is also the colour of happiness - but he is also thinking of kingfishers because they fly very quickly, they are there and then gone again like a flash of blue...
I really enjoyed reading this. Maedhros self reflection and inner talk is fascinating and gives such insight as to who he is right now.
poor Orodreth--it's hard being in Finrod's shadow and maintaining a bold front--but I think it is more that.
The line about the function of ink in general was brilliant.
I always enjoy how you write Maedhros and Fingon--together and separately. There is a tenderness to their tentativeness around their physical proximity that breaks my heart. The flashback at the end was lovely--hard to think they don't have that now.
Thank you very much! So glad you enjoyed the characterisation!
And good to hear that that line about the ink worked for you.
I don't think I fully explained Orodreth here, but I think he must have been in a difficult position and a conflicted state of mind.
The bit at the end is intended as a flashforward, not a flashback-- that may not have been very clear, sorry.
By that time, some of the bad things Orodreth feared have happened, but Maedhros and Fingon understand each other better.
really well written
i confess i'm uncomfortable about the 'cousins' thing tho
Thank you very much for the comment about my writing!
As for the other comment, I'm not sure whether you mean shipping Maedhros/Fingon generally or Maedhros's thoughts about cousins as they feature in this story.
I realize that relationships among first cousins are a real taboo for some Tolkien fans (although I actually did not realize this until I encountered the first warnings on fic for cousin incest). It's not part of my personal cultural background--according to the standards I was brought up in, incest is just between siblings and between child and parent and for first cousins it's merely genetically a bit more risky to have children. I'm aware that historically past societies have both been more lenient about this (for example, ancient Egypt, where even marriages between siblings were encouraged) and a lot more stringent (for example, in the later Middle Ages in western Europe, more distant degrees of consanguinity were forbidden than first cousins). I realize that globally standards still differ today.
My protagonists have come from a society where such relationships were forbidden (Valinor) and now find themselves in a situation where many rules that they used to live by have to be renegotiated. Maedhros is actually finding this quite difficult. So his flight of fancy about cousins in fact arises partly out of that and is meant to be just that, a moment of fancy. It does not imply that there are lots of cousins who are lovers about (not even Aredhel and Celegorm, although they have a complicated history).
Sorry, if I've over-explained this. It's sometimes hard to know where are my readers are coming from.
Site © Dawn Felagund
Logo © Bunn
All copyrights for creative work hosted on this site are retained by their creators.
This site is built using Drupal and the theme W3CSS.
Characters and stories associated with J.R.R. Tolkien's works remain the property of his estate. Creative work using this material has been written solely for the enjoyment and enlightenment of its creator and their associates. No profit is made on the materials shared on this site.
Comments on A Stiff Northern Breeze
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.