Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Family Matters
Step inside of one of the families of "The Silmarillion" and tell their tale with a fanwork that illustrates the conflicts and relationships that occur within a family. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
A very well thought out piece of work, the historical aspect I am sure would have pleased the Professor greatly. For myself it is the world weary narrative and lack of song in the once great singer's voice that strikes home...
I imagine for that 'Pack up your troubles in your old kit bag and smile, smile, smile...' would be a difficult song for Maglor to sing; or perhaps not in a moment of resignation and/or communion...
Thank you, and again sorry for the delayed response. I know Tolkien didn't care for allegory and I think I share his belief that it can often be crass, but I do think being a young man in the trenches certainly put its stamp on the history of the Feanorians. (Perhaps a less informed 'Mythic' reading of their history would have celebrated their tennacity in holding to the family vow, after the Somme, such determination can only make them tragic.)
I love this story. The genre of Maglor in history is a very hard one to nail and you do it here. Out of the hundreds written there are only a few that I can really lose myself in. This is definitely at the top of list. Maglor has such a strong voice. The fondness and protectiveness he feels for Lieutenant Beowulf is incredibly moving. For me, it has to be redemptive. No good deed goes unpunished in life either. Not even the hardest-hearted of the Valar could read this an not turn their gaze back on Maglor and want to gather him back into their world.
So thrilled that he told Lieutenant Beowulf those glorious heartwrenching stories.
Thank you, I am sorry it took me so long to reply but until today I wasn't aware this story was archived here. I remember writing this just as the second Iraq war was beginning, and I think the events of the time seep through. I also think Tolkien doesn't get recognised enough as a First World War writer, even though his own quote: "...to be caught in youth by 1914 was no less hideous an experience than to be involved in 1939 and the following years. By 1918 all but one of my close friends were dead," is still one of the most sparse and chilling testiments to the time.
I liked this story a lot, and I would have even if I weren't such a sucker for elves-in-modern-times stories. The characterization of Maglor was brilliant- cynic, brooding and almost snarky, yet ready to warm up to "Beowulf". I remember reading some stories with a similar premise, but this manages to have a unique flavor to it. The writing itself made it very realistic, and there were some really nice turns of phrase. Very well executed.
Thank you! I am sorry it took me so long to reply but until today I wasn't aware this story was archived here. This was written back in the day in response to a 'Maglor in history challenge' Silm fics mailing list challenge, which was enormous fun, and sparked some great stories which I hope have all found safe homes now HASA is due to close. 2003 was an incredibly creative year in Silmarillion fanfiction and I still get nostalgic for it. I'm glad you enjoyed.
Comments on Captain Tinkerbell
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.