Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Things We Never Said
In this AU challenge, fix that moment that you always wanted to see handled differently by offering your beloved character that moment of forgiveness or redemption. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thanks for reading!! :) I think of it as sort of Ann Carson inspired, but just looked War Music up and it seems like it's along these lines. I do want to continue but not sure what "fragment" to pick up on next...
I quite liked this. It had something of an epic verse feel, and something of wry wit too with the insertion of modern-sounding terms ('tranoceanic passage').
Wow! I loved this. Particularly "A fine business model." and "hobbyist jewelwers". I've read Homer (a long time ago), but not the Noldolante yet. It seems to be more gloom than slash...
This is beautiful! And I quite like that it's "without any proper meter"; the style gives me the sense of reading a poem that's been translated into English from an ancient language, which fits very nicely with the subject matter.
I particularly enjoyed this line: "and arose in wrath, so awfully the enemy himself now"
Perhaps I'm reading too much into it, but I really love how in the context of the whole poem, this line is helping to tell about Fëanor seeing through Morgoth's lie- but even as he does so, I feel like the word choice here calls forward really nicely to his later actions.
"Arose in wrath" seems to me to echo the meaning of Melkor, "He who arises in Might"; so even as Fëanor condemns Morgoth, he is in some sense doing what Morgoth does, and thereby becoming "the enemy himself now".
I just thought it was really cool how that line fits smoothly and logically with what's happening within the story of the poem, but when it's read as its own entity it can be taken as some really clever foreshadowing!
Comments on Jail-Crow
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.