New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Famous Last Words
For our March challenge, our moderators will assign you a famous last line to use as a prompt.
[Writing] a life freely given, a favor returned by skywardstruck
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
[Writing] dye me, nocturne by skywardstruck
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more.
Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
[Writing] Til We're on the Other Side by StarSpray
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
In the dark…
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Hill and Water Under Sky by StarSpray
a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own
[Writing] The Long Arm of the Law by Elrond's Library
Turgon cannot be above the law.
[Writing] Despair and Shadows by octopus_fool
Haleth leaves to find her brother, even though her father does not permit her to.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Secret Gate
A Matryoshka challenge where prompts are based on the common plot points and tropes from mystery novels. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
[Writing] Why did Éowyn ask Faramir if he'd rather have a "woman of the race of Númenor"? by Quente
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
April Challenge Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge around the theme of "fools," "foolishness," or "being fooled."
Nice work. (No Beta does not show.) The recounting of canon events is well done, but I like the last part the best.
Thanks for the review, Oshun! I realize this isn't the most exciting story ever, just being a retelling, but I am glad you enjoyed the ending.
It's hard, sometimes, to do a 'retelling' in a fresh way, but you have managed that with the personal emotion you bring to the characters. I especially like the comment that it was the Sons of Feanor and their deeds that brought Earendil and Elwing together (giving up Elros and Elrond and eventually Aragorn) because it highlights so well the depth of the intermingling of good and ill that is the foundation of so much of Tolkien's work. Well done.
I am glad you found this telling emotionally charged...since I obviously couldn't make it terribly 'surprising' to the reader ;). As huge of a fan of Maedhros and Maglor as I am, and as much as I think that Elros and Elrond were treated as sons, even I have to admit that their record was rather....checkered, and that they must have been in denial almost until the end. Thank you for the review, Suriel!
Ah what a great story, it has the feel over it that often is associated with the time of the year: remembering the death and looking back at our past. In this case the turbulent one of the Fëanorians, the concequences of their actions and how this all is of influence on the twins. I like how you gave every character such a distinct voice fitting to their age. I mean of course food would be on the mind of those two youngsters, just as much as they would be seeking for their own identity. It is a delight to read Maedhros as a fiery elf, I thoroughly enjoyed that. When you brought up Maglor and his pendants, I will freely admit I had to think about a chapter from AMC where Maglor acts nearly the same!
If I may suggest some concrit: this story does need some attention especially regarding the pacing at certain places. Sometimes it is a matter of punctuation or repetitive word usage (words like but or and... and.. and that in one sentence). It are small things though and they caught my eye, so it can be just me. After I read this short work, I felt very antsy to read more of your wips, so I will be on the look out!
LoL, I didn't even realize that! Maglor's pendants are actually a small bit of self-insertion; I wear the same necklace every day, but I change them out seasonally. I have to admit that I don't have a good feel for how these noble (even royal) elves with a craftsman for a father and a proud streak a mile wide would react to the idea of 'ornament'. Part of me feels they should keep things simple, and another part of me feels they should take symbols of their rank for granted. Fiery Maedhros was the most fun to write, though it was sad to reveal how broken he was here.
I appreciate the concrit; I do feel this story needs a beta, but I won't inflict it on anyone until it is a bit more...cohesive. I am sorry I work so slowly! Thank you for your wonderful review, Rhapsody.
This is such a compelling story! I enjoyed every single bit: the tale of the past, the reflection upon the future, the characterizations, the emotions. And I kind of think that this is what we, modern humans, may really have in common with those mighty immortals: we cherish the memory of our beloved that passed away regradless of the circumstances (if I make any sense here).
Thank you for sharing it. Your story is going up to the list of my favorites.
Binka
Awww :) Thank you so much, Binka! That was such a great review, I'm flattered! Yes, it is easy to think that immortals wouldn't experience loss...but Tolkien was hardly kind to his First Age elves! They may have lived hundreds of years (or more), but so many of them did die, in the end. I hadn't really thought about how that 'humanizes' them while I was writing this, so thank you for bringing that to mind.
I loved the last line, I thought it was very memorable, and human.
I really liked Maglor's pendants, I though that each of them could represent different things.
Lindale
Thanks so much for the review! A Wake is a very...human...activity, so I'm not sure if it fits in elvish culture. But elves in Middle Earth have to have dealt with death and memory in some way, so I hoped it would fit. I'm glad you liked the feel of the end!
Hehe, Maglor's pendants are autobiographical. I wear a necklace for Advent and Christmas, another for Lent, and another for Easter season. The rest of the year, I wear my 'normal' necklace. That cyclical, almost liturgical approach to the change of seasons seemed rather elvish (if a bit more something the Sindar would do, rather than the Noldor), but I thought that Maglor, as a musician, might appreciate some sort of symbolism in his pendants. So, the one he wears in this story reminds him of his father (and was perhaps made by him, though I'm not sure about that). He wears it to other 'family' events as well.
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Comments on The Wake
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