Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Block Party
During the 2020 COVID-19 pandemic, we offered a menu of daily prompts designed to help people connect, show kindness to others, and refocus on their own creativity during this uncertain moment in history. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I do have a whole backstory worked out around her, why she stayed behind and all of that. I hope that once I have the first novel of Bard Rising finished, the backstory done as well (now at 8 pages and still not complete)... more side stories regarding Celebrimbor and Curufin will make more sense. *points to her files at het HD* If there were only more hours in a day...
I do believe that the actions of the house of Fëanor, and their fate are double edged: he renounced one, misses the other and then there is this legacy with the bitter sweet memories... I am glad that this unnamed wife of Curufin left such a strong impression. Thanks!
This is really lovely. Fixed length ficlets just have such a density of language. And Celebrimbor is of course a source of epic drama. But I really like how you've been able to work in so many small details into this ficlet: the memories of the swordsmithing, the scabbard, the associations between objects and persons.
Rhapsy, this is lovely! So much going on in so few words, revolving around the sword as a symbol and one with so many meanings for Celebrimbor. I love how the sword at once contains fond memories of his relationship with his father while he acknowledges the death it caused. This is a perfect little vignette. :)
Rhapsy, this is lovely! So much going on in so few words, revolving around the sword as a symbol and one with so many meanings for Celebrimbor. I love how the sword at once contains fond memories of his relationship with his father while he acknowledges the death it caused. This is a perfect little vignette. :)
Ah, Celebrimbor. I often think of him as the forgotten genius. Fëanor made shiny things but his grandson made shiny, useful, things, albeit, dangerous things.
Loved this little piece, how it ends in a brave note.
Comments on The Legacy of Love
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.