Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This is really cute, Binka ... and totally believable both in terms of kids wanting to avoid difficult, tedious work and having (sometimes adorable!) mispronunciations. And even as a teacher, I'm equally guilty of being glad that the emphasis in English language arts has shifted away from grammar. ;) Nicely done!
Shame on those lazy little buggers! So funny! I used to have a mental list of the multisyllable words Alex pronounced in hilarious ways, but they don't happen anymore and it makes me sad.
I am always struck by how terrible it would be if I could never use English again in public. I came close to that in my life once, and I remember when a friend called us from the U.S. and my husband talked to him for about ten minutes and then hung up and said, "He said to say 'hi' to you!" I sobbed, because I had wanted to speak English so bad to someone besides my tiny immediate family. I have never been fond of the language-ban. You did make me laugh though.
It's great to hear that I made you laugh :) I'm really glad that my little idea works. Also, thank you so much for sharing your thoughts about a language ban. While I think Thingol had his reasons, forcing someone into not using their native language is very cruel. It's like forcing someone into forgetting who they are. Very sad. Thank you for reading and leaving a review!
This is so cute and funny! :D And I love the idea of Beleg talking bad about Quenya in the earshot of kids! Maybe even make sure they heard - and they are repeating what he says without really understanding what cojungation is. :D
Hah! I joked just a few days ago (while talking about the difficulties in spelling Quenya properly once the /th/ sound for the thúle Tengwa fell out of use, but the spelling remained as it was) that everyone was secretly relieved when Thingol issued his ban. Clearly, this includes Sindarin school kids who no longer have to bother with "cojungation"!
Comments on Of Linguistic Preferences
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.