Fanworks Tagged with Elrond

His life in Valinor.

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For this month’s ‘The Only Thing To Fear’-challenge, I tried something a little different- which was to write short ficlets for as many prompts as possible. (Admittedly, I wanted them to be drabbles at first, but I just couldn’t manage).

Some of these turned more into PTSD-stories than phobias, but I think it still fits the challenge.

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Bad dreams?” I ask, and Elrond nods. When I brush against his mind it laps like the tide against some desolate shore, and he stands alone in the washed out landscape. Young eyes rove over a heartless sea where the horizon is empty of all but tossing waves. White cliffs are at his back, reeds peek over sandy dunes southward along the shore, and Elrond’s heart fills with the hollow echo: no longer my home, no longer my home.

There is a new star in the sky and and old fears surface. Maedhros supports through Elrond and Elros through their ensuing emotional turmoil as he battles his own.

Written for the SWG October Challenge 2025: The Only Thing to Fear using the prompt: fear of being alone.

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"I think something is going to happen soon.”
“Something good or something bad?” Maglor asked.
“Something important,” Elros said, looking suddenly very serious and far older than his years. He and Elrond both looked at Maglor with starlit eyes under shadowy hair, Melian’s children whom the birds and the stars would both love.

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"Gather your strength, Daeron. I will get you to the Ford of Bruinen.”
“Will you swear it, kinslayer?” Daeron asked, voice heavy with irony and with something else Maglor couldn’t quite identify. 
He paused for a moment. Then he said, “Yes.” 

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Before the destruction of Gondolin, Glorfindel was forced to keep many parts of his life a secret. Much of this changed after his second coming to Middle Earth.

Featuring: Glorthelion, intersex!Glorfindel, mpreg, and queerplatonic Glorestor. 

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As she reached the bottom of the stairs, Galadriel looked up to find Celeborn following. “What is it you seek?” he asked as she filled the silver ewer from the clear and cold waters of the stream.
“My cousin,” she said as she turned to the silver basin. “It is a new Age; if he lives still, I would find him and bring an end to his long exile.”

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Hope is a weapon. Hope is a skill.

or, the art of not giving up in the face of the impossible, as seen through the eyes of fifteen people living in First Age Beleriand.

16 perfect 100 words drabbles, exploring this concept.

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“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On the other side of it was a larger party than Maglor had ever seen in Lórien—five figures sitting in the grass. Huan barked again, and they all looked up. “It seems everyone has come to fetch us home,” Maedhros said, laughing, as all their brothers scrambled to their feet.

After years in Lórien, Maglor and Maedhros are ready to return to their family and to make something new with their lives--but to move forward, all of Fëanor's sons must decide how, or if, they can ever reconcile with their father.

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Elrond muses, and mourns, and moves on as he must. For the Gates of Summer challenge prompt 'as kind as summer'.

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Searching for documents related to her father's life, Aragorn's daughter instead finds a jumble of conflicting documents about the nature of Maglor and Maedhros's fosterage of Elrond and Elros.

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Two scenes from the third kinslaying: the sack of Sirion and the adoption of Elrond and Elros by Maglor and Maedhros.

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Elros and Elrond enact their plan to escape from their kidnappers and find allies along the way. Reunions are made in the dense forest of southernmost Ossiriand, just not the ones that were expected.

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Part fandom-commentary and part literary-critical reading, this essay considers the interpretive ease with which Elrond’s “kindness” is conflated with moral coherence, particularly when it comes to treating his affective attachments to the Fëanorians and/or Elwing and Eärendil as absolute ethical verdicts. Drawing on affect theory, trauma theory and adaptation analysis, I explore a way to read Elrond’s kindness as a cultivated practice which is not incapable of bias or harm. By reframing Elrond as a figure whose kindness arises from ambivalence rather than moral certitude, I try to offer a perspective that considers how 'virtue' is not an innate or fixed quality but one shaped by violence, grief, loss and the structural constraints of doctrine.

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Two years ago, in the Summer, Maglor and his brother took in twin elflings on what was the worst day of the children’s lives. Seventy-six years before that, the solstice had heralded their own living nightmare. As the days grow longer and warmer the four of them find ways to help each other reckon with the ghosts of the past.

Written for the Gates of Summer Challenge prompts: “… cast up exhausted on the shoals of August”, Nirnaeth Arnoediad and Loendë (midsummer).

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A collection of drabbles primarily featuring male characters from the Legendarium

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Celebrian has a few demands for her wedding

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One set of twins meets another. A tragic start to the kidnap family, from Amrod's point of view.

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As a very young child, Gil-galad arrived on Círdan's doorstep with no memories and nothing but a brief letter containing two things: a request to foster him, and a name, Ereinion. Silver-haired scion of kings, he always suspected his lineage was more vexed than anyone, Noldor or Sindar alike, was comfortable admitting, especially in those fragile last days before the War of Wrath.

Parents as well as kings must make difficult decisions. After the Third Kinslaying, Gil-galad learns this the hard way.

Title is a reference to Elizabeth I's Speech to the Troops at Tilbury.

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With the cry of a stolen child, Maglor sees the future in all of its possibilities and makes a choice regarding Elrond and Elros.

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Maglor, Elrond, and families.

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Moments of reflection with Maglor as he comes to terms with grief. A collection of drabbles and other short writings to accompany One in the Deep Waters.

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A dream that Elrond never mentioned to Maglor son of Fëanor.

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Maglor finds himself alone with only sorrow and song for companions. But lamentation can neither undo the sorrows of which it tells, nor turn new hardships aside.

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Maedhros finds that regret and pain do not end with death. But it does at last bring release from the oath and he can at last embark upon the long, hard road toward redemption. 

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