Fanworks Tagged with Finrod Felagund

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Unchangeable by Artano

After re-embodiment, Finrod struggles to adjust to Valinor and pick up the threads of his old life

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empty spaces by queerofthedagger

Tears unnumbered ye shall shed; Finarfin needs no doom, no treasonous brothers, no Middle-earth to believe it true.


The House of Arafinwë before, during, and after its Exile. A history told in an assortment of loosely connected drabbles.

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His Young Son Ereinion by Perching

After a drunken night at Minas Tirith, Fingon and Orodreth wake up married with a baby on the way.

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Be All My Sins Remembered by Marchwriter

With Nargothrond’s might diminishing and the Elves’ borders hard-pressed, Finrod welcomes the first Men into his ranks, but when their chieftain, Bëor, becomes dearer to him than mere vassal, Finrod faces sending his lover or himself into deadly peril as the Enemy breaches the Elves’ leaguer.

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On the bonnie banks of Ivrin by Himring

Ye'll take the high road / and I’ll take the low road, / and I’ll be in Aman afore ye; / but you and I will never meet again / on the bonnie, bonnie banks of Ivrin.

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Collection of Potluck Drabbles by Artano

This is a collection of true drabbles completed for the 'Four Words' drabble bingo card.

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A Collection of Maps Exhibiting the Changing Political Landscape in Beleriand by Artano

Created for the 'Geography/Maps/Places' prompt on the "Tolkien meta" bingo board, this is a collection of maps marked with the various people groups showing how they arrived and moved about Beleriand.  This collection focuses specifically on the time from the arrival of the Teleri, Vanyar, and Noldor before they went to Aman up to the distribution of the various kingdoms after the Flight of the Noldor, when they arrived in Middle-earth and settled there.

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Orctober Instadrabbles by cuarthol

Three instadrabble prompts for the challenge

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like thread through needle by queerofthedagger

What is left of it, you wonder?


Finrod, on the eve of the War of Wrath.

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Dust and Ashes by Artano

Húrin kills Mîm and wanders through the remains of a decaying city, the remnants of the peoples who once lived there and called it home.

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like thunder in the stillness by queerofthedagger

Blood wells to the surface, hot and sticky. It runs over Curufin’s hand and down Finrod’s neck, the smell almost overwhelming. Finrod thrashes when Curufin presses fabric against the wound with enough force that darkness dances along the edges of Finrod’s vision.

He is breathing harshly, and it sends pain lacing through him with every inhale, every exhale. His hands have found Curufin’s legs, his wrist, nails digging into fabric and soft skin.

Finrod would apologise, but he does not think that he has anything but curses and confessions within him.


Finrod gets hurt. Curufin does what he must.

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The Fall of Felagund by cuarthol

The song battle between Felagund and Sauron

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Ode to Findaráto by Flora-lass

In praise of a painting of a young Finrod in Valinor.

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the raging storm of a foreign war, and a face i'd seen before by arafinweanappreciation

“Tell me…” the exhausted king said, looking directly into the commander’s eyes. He was covered in grime, soot and dirt, ash and blood, mud and sweat. His eyes were haunted. The War took its toll, after all, the very ground itself turning against them. The ruby light of the flames only served to reveal their hollowness. “The forces here. The orcs. Never before have I ridden against a host who parts and flees at the very sight of me. Why do they do so now?”

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Between Ruinous Dusk and Restless Dawn by queerofthedagger

His gaze, inevitably, is drawn back to Finrod, the marred beauty of him. It has not been Curufin who ruined him so—had not been Curufin who had dragged him out of Nargothrond and into the wolf’s den, who had let Finrod protect him with his life. And yet.

And yet it feels oddly fitting, that such a ruined thing should be Curufin’s.


Through careful manoeuvring and a few lucky coincidences, Curufin saves Finrod's life without having to admit to anything so humiliating as having emotions. Contrary to what one would expect, this does not make things all that much easier.

Alternatively: Curufin lies, Finrod lives, and somehow they do still manage to figure it out, for better or for worse.

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Summer Celebration by between_thepages

Amarië and Finrod are dancing together during a celebration of summer.

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catch your breath by queerofthedagger

The firelight splays golden across them, and he listens to Curufin's breathing

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The Dream of Legolas Greenleaf by clotho123

In which Legolas Greenleaf dreams he is in the First Age.  Time is strangely haywire and there are a lot of Noldor royalty talking about ravens.  More importantly nobody has offered him a drink. 

Or: a medieval Welsh story adapted with Silmarillion characters (and Legolas)

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Monty Python and the Athrabeth by cuarthol

Bëor: Halt!  Who goes there?

Finrod:  It is I, Felagund, son of Finarfin of Valinor.  King of Nargothrond, builder of Minas Tirith, sovereign of all Dorthonion!

Bëor: Pull the other one!

Finrod: I am!  And this is my trusty servant, Edrahil.

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The Merchant of Valinor by Tehta

A series of acrostics based on the letters provided in the Tengwar challenge, telling the story of one enterprising Telerin merchant.

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Analysis of "Athrabeth Finrod ah Andreth" by Rocky41_7

Examining the relationship between Andreth and Finrod as shown in the Athrabeth.

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"Tengwar" ficlets by chrissystriped

Fics written for the "Tengwar" challenge.

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If Time Run True and Away by Anne Wolfe

In Tol Eressëa, Celebrían and Galadriel talk about Arwen. Written for the "It Comes in Threes" challenge, inspired by Maiden, Mother and Crone.

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Tengwar: To The Letter by cuarthol

For the Tengwar prompt challenge. 

All 36 prompts plus bonus chapter

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Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Felagund

In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.

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