Fanworks Tagged with Original Character(s)

As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear. 

A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for SWG's Everyman Challenge April 2026, using the prompt:

"A great multitude gathered swiftly, therefore, to hear what he would say; and the hill and all the stairs and streets that climbed upon it were lit with the light of many torches that each one bore in hand." ("Of the Flight of the Noldor")

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A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.

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Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I have much else to do. I need to build something new there,” he said after a few moments. “To do that, I must first clear away the old and broken things.”

Decades out of Mandos, too many things in Fëanor's life remain broken. He can't do anything except wait for his sons to come to him, but he can do something about the old and crumbling house where they once lived. 

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It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice. 

In the dark woods near the Waters of Awakening, Finwë's brothers are taken.

In Valinor, when the Trees wither, Finwë is slain.

In the Fourth Age, things take place long thought impossible.

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a collection of drabbles and mini ficlets in the meanwhile the world goes on 'verse that aren't long enough to stand on their own

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Miranda Otto, lead writer on the docudrama Heroes and Monsters, has major writers' block.  A chance encounter at her local coffee shop might be just the thing she needs to pen her Season Two opener.

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A poem of a stone from the ruins of Hollin. Inspired by the prompt "The Hills Are Old".

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Two members of the crew of the starship Vérië land on the planet Andúnië, investigating a location of interest called The Sleeping Garden.

(Introducing: a Space Opera Númenor AU.  Let's be real, it was only a matter of time.)

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In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.

This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.

He found a strange sapling at the shore of what remains of Cuiviénen.

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The publication of a scandalous new novella takes the world of Númenorean literary circles by storm. But who *is* the mysterious author 'Anna'? And why did she pen such a risqué romance? Is it, as some claim, a disgusting piece of dreck that displays the degeneracy of the times? Or is it a clever social commentary hidden behind a front of taboo titillation?

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 Last night, the King’s Men put to death a large group of dangerous radicals in the Artists’ Quarter of Armenelos.  Caught only a few hours before their planned assassination attempt on Tar-Míriel, they forced our heroic enforcers to battle for their very lives.  Unfortunately, the splinter group of Faithful fanatics were unwilling to surrender peacefully.  A large number of weapons, including incendiary devices, were recovered from the basement of the house in which they had been planning their cowardly and devious attack. Although all of the royal guard survived, one of their number was carried to the local hospital with severe injuries; he is expected to recover.  
    Citizens are asked to report any unusual activity to the King’s Men. Now, more than ever, Númenor must stand together against those who would destroy her.
    —Short Bulletin in the Armenelos Times, Year 11 of the reign of Ar-Pharazôn

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A Dwarf on vacation with their lover must contend with an unusual encounter in the middle of the night.

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Scenes (often domestic, sometimes intimate) from life in Mordor from the fall of Númenor to the Last Alliance.

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“What if,” said Manwë, regarding Maedhros with star-bright eyes, blue as sapphires and piercing as blades, “you were sent from these Halls for a purpose, son of Fëanáro?”
“I suppose, my lord,” Maedhros said slowly, “that would depend upon the purpose.”

Maedhros is sent back to Middle-earth, in the company of the Maia Olórin. 

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Fingolfin wants Fëanor absolutely shattered in his bed, his name the only thing in Fëanor's mouth, in his thoughts. He wants to break Fëanor down to his most basic essence, a flame hiding in the body of an elf, and then slowly build him back up again as if feeding a fire on a windy night. Wants to make himself an integral part of the rebuilding so that he can never be erased, never be shoved out. He wants to be fully given what he was always denied—

—Fëanor’s trust. 

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The story of the first peredhel, fierce love, and how sometimes the laws of nature will let you think you defied them sucessfully before they catch up to you.

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Celegorm and Aredhel ride towards the Aglon Pass through the rain.

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Elladan and Elrohir demand the tale of how their favorite doll came to Imladris many centuries ago. Glorfindel the Doll obliges.

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“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On the other side of it was a larger party than Maglor had ever seen in Lórien—five figures sitting in the grass. Huan barked again, and they all looked up. “It seems everyone has come to fetch us home,” Maedhros said, laughing, as all their brothers scrambled to their feet.

After years in Lórien, Maglor and Maedhros are ready to return to their family and to make something new with their lives--but to move forward, all of Fëanor's sons must decide how, or if, they can ever reconcile with their father.

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...everyone here seemed to think Daeron should return to them equally unchanged, the same merry minstrel he had been long ago before the Girdle had been breached. He was yet a minstrel, and he was often merry, but he had seen and done so much that so many here could never even imagine. He had come very close to death more than once, and yet survived. He did not care what others might think of him, really—except for a select few—but it would be tiresome to be always catching them off guard, and his love for one of the sons of Fëanor would catch many very much off guard, he knew.

Daeron settles back in among his own people, travels to Tirion--and meets Fëanor.

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Three intrepid stellar explorers witness a crack in the edge of the universe and are guided by an ancient spirit animating an automaton to a strange and unexpected place where they hope to rescue their kidnapped cat. A cat who may hold the future--or its inevitable end--in his far-too-ancient paws.

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Searching for documents related to her father's life, Aragorn's daughter instead finds a jumble of conflicting documents about the nature of Maglor and Maedhros's fosterage of Elrond and Elros.

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Elros and Elrond enact their plan to escape from their kidnappers and find allies along the way. Reunions are made in the dense forest of southernmost Ossiriand, just not the ones that were expected.

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Nine theses on Fate, divinity and Elvish theology, told through the philosophy and study of music. 

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What is it to be made for a kinder world?

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