Fanworks Tagged with Sons of Fëanor

In which one Fourth Age historian sets out to chart the complete history of the events and writing of the Lay of Leithian and ends up with an oral history of First Age politics, the Fall of Nargothrond, the Second Kinslaying, the Third Kinslaying, and one elf’s commentary on Second Age repertory theater.

OR “The Lay of Leithian: a Historiographical Approach” by Líwë Ríniel of the University of Tirion

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"Atya, I'm scared."

A small voice caught Curufin's attention as he lowered his gaze to meet two large, frightened brown eyes.

He caressed his son's face, sighing. "Why are you afraid, Tyelpë?"

The little elf clutched the blankets of the bed, his small, round face and brows furrowed in pure terror.

"I... I don't want them to take me away!" he whimpered between sobs. "They've taken Uncle Nelyo, they'll come for me too!"

During bedtime, Curufin finds himself consoling a young Celebrimbor.

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After ten thousand years in the Halls of Mandos, Feanor and Fingolfin are reembodied into a Valinor that looks the same, but is now wholly different from the world they left behind—and they too, have been irreversibly changed. But the methods used by Mandos to heal them have had the opposite effect, and Fingolfin, the warrior of the Elder Days, grows restless, melancholic, and soon depressed in the land of milk and honey. The solution to his ills? Another unwinnable war with Feanor and a new, sordid sexual affair culminating in violence. 

An exploration of the complexities (and horrors) of reembodiment, how the reembodied elf relates to his new body and the world around him, how the corrective arts of Mandos may psychologically harm those subjected to them, and the consequences of trapping a hardened soldier in Paradise.

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The true cost of The Oath on the Fëanorians

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A Dwarven merchant travels from Nogrod to the far south in search of greater wealth – and finds something else entirely. 

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Some journeys cannot be lightened, and some destinies cannot be commanded.

Fëanor rejects Mandos. He burns Halls and leaves ash behind him, as defiant in death as he was in life. 

In the Void, he encounters something else. 

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A March-Warden assists the last of the refugees from Doriath to the Falls of Sirion after the sons of Feanor assail Menegroth.
 

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Celebrimbor reunites with his family in the Halls of Mandos, hoping to reconcile with them.

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Fëanáro dies, and the rest live, coated in his ashes.

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House of Fëanor star - paper-cutting, markers, pens, coloured pencils

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Would it never end? Would there always be one more mother standing on the shore, looking out to sea, full of a grief made more terrible by hope?
Elwing and Nerdanel in Valinor in the Fourth Age; a story about children coming home.

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Fëanor watches from the Halls. 

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Fingolfin wants Fëanor absolutely shattered in his bed, his name the only thing in Fëanor's mouth, in his thoughts. He wants to break Fëanor down to his most basic essence, a flame hiding in the body of an elf, and then slowly build him back up again as if feeding a fire on a windy night. Wants to make himself an integral part of the rebuilding so that he can never be erased, never be shoved out. He wants to be fully given what he was always denied—

—Fëanor’s trust. 

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The formal ceremony where Maedhros hands over the High King status to Fingolfin. 

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Adaptation of the lyrics of a German song to the Legendarium: Zogen einst fünf wilde Schwäne. (With English translation).

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story for art 68 TRSB 2024 - In every wood in every spring there's a different green by FakeCirilla9

The 'wilds' of Valinor seen through the eyes of Tyelkormo and his family: from Tyelkormo's birth during a long journey, to the introduction of little Telperinquar to the natural wildlife of Valinor.

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In which Celegorm tries to do some reconnaissance on Doriath, finds some children in the woods, does his good deed for the century, and promptly gets taken prisoner for it.

Dior's bitter he can't just murder Celegorm. After all, he's not one of the eldar, it doesn't count as kinslaying if he does it.

Nimloth's impressed no one is dead yet and plans on keeping it that way for as long as possible.

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They passed out of Lhûn and the wider coastline of Middle-earth opened up before his eyes. He had wandered those shores for centuries, and even now he felt the pull of that same wanderlust, and knew he would miss them for the rest of his life. Their wildness, the untamed waves, the rocky shores and the cliffs and the sandy beaches. The gulls, and the dunes, and the tide pools with their ever-changing denizens. Someone began to sing a song of farewell, and other voices took it up. He did not join them. 

Maglor keeps a promise, and comes to Valinor, only to find the ghosts he thought he'd left behind are alive and waiting for him. 

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When Maedhros goes to parley with Morgoth’s army after Fëanáro’s death, Celebrimbor sneaks out to join him, and the consequences are dire.

Rated M for graphic violence (primarily torture). First three chapters were posted only on AO3 in 2024.

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Drabbles created (and now polished) from February 15, 2025 Maedhros & Maglor week-themed Instadrabbling session)

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The tale of how the sons of Fëanor were conceived and named, and how the daughters came into being in the other two houses.

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These are the first fanfics I ever read, and they are all truly fabulous and absolutely timeless and 100% recommended!

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With Nargothrond’s might diminishing and the Elves’ borders hard-pressed, Finrod welcomes the first Men into his ranks, but when their chieftain, Bëor, becomes dearer to him than mere vassal, Finrod faces sending his lover or himself into deadly peril as the Enemy breaches the Elves’ leaguer.

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It is Curufin who crafts the three gems. Starting with the one of fire.

Or: Curufin copes with grief in true Noldorin fashion.

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Fëanáro was dead.

Maitimo was gone to parley with Moringotto.

The remaining brothers were restless.

In other words, Makalaurë's time as king of the Noldor in Beleriand, as seen through Tyelkormo's eyes.

Long live the king, may he stop singing sometimes soon.

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