Fanworks Tagged with Ungoliant

Eru banishes Melkor outside the world...very far outside the world.

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Like Germany at one point or another, Melkor turns over a new leaf (for real, no jokes) and gets himself a tradwife. 

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Ungoliant's brood cause her annoyance as they grow up and turn into normies.

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Melkor turns over a new leaf, and finds a spider.

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Elros is famous for one thing above all.

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Mairon reunites with Melkor at Lammoth.

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Melkor and Ungoliant take a ship to Middle Earth after their latest IRL trolling succeeds.

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Feanor develops something even better than the Silmarils. 

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The day Melkor was almost overcome by the only creature more vile than himself.

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Created for the 'Geography/Maps/Places' prompt on the "Tolkien meta" bingo board, this is a collection of maps marked with the various people groups showing how they arrived and moved about Beleriand.  This collection focuses specifically on the time from the arrival of the Teleri, Vanyar, and Noldor before they went to Aman up to the distribution of the various kingdoms after the Flight of the Noldor, when they arrived in Middle-earth and settled there.

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Ungoliant gets a chance to have her say.

Written for the Tengwar challenge, with the prompts silmë nuquerna (starlight reversed) and ungwë (spider's web).

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After Oromë sends a Hunting Party to investigate the reports of proliferation of fell beasts far in South Aman, the entire errand goes horrifically wrong. Celegorm was prepared to die a grisly death, yet he dares to beg the Great Void Spider to spare his life, which to his surprise, the request is heeded. Then comes the most unlikely partnership and friendship in all of Arda, and its unexpected consequences.

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A wolf, a spider, a bat, a dragon... what do they have in common?

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Thuringwethil doesn't even know why she's here. It's not like the sex is rewarding.

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The main theme of the Non-Canon stories here will be Humor/Parody, bordering on the "Heretic".  Please do not read if you are easily offended by these contents.

All stories will contain much adult language, innuendo, nudity, suggestive/compromising positions, and many embarassing situations for the characters, especially the Fëanorions and Mary Sue.  

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Vanimórë, son of Sauron, was born in the shadows of Tol-in-Gaurhoth. A plaything, a slave, a warrior, he was bound to his father\'s mind, and tempered as a weapon of the Dark over thousands of years.

They forged better than they knew.

Trained in the pits of Angband, Vanimórë could command armies, kill without conscience, and he could hate those he served. But he would not break for them. The blood of the Eldar ran strong in him. His path was inextricably linked to some of the most famed and tragic of the Elves, and lead to a destiny he could never have imagined.

The Darkness –
– has its own Light.

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After his successful theft of the Silmarils, Melkor is in a very good mood.

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The story of the Quorin, the Silent People, and their home on Tol Úpahtëa.

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Summary

That old villain Melkor, Ungoliant in tow, had plagued Valinor, vandalizing trees, swiping jewels—oh, yes, and killing poor Finwe—then done a bunk.

In this bit, we join them in Middle-earth to observe the end of a not-so-beautiful friendship…ah…partnership.

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Light dies, and the web endures.

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Ungoliant hurts, and watches the sky.

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Melkor, Ungoliant and the darkening of Valinor.

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Melkor meets Ungoliant within her lair in order to fulfill his plan. They both converge on Aman and Melkor takes his revenge.

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She is a Queen without a crown and he is a shining opportunity.

Or, how Ungoliant and Melkor poisoned the Trees and stole the Silmarils.

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Fantasy writers, including creators of Tolkien-based fanworks, have long struggled to depict the "otherness" of realms like Aman. In the past, the Tolkien fan fiction community showed a preference for an idealistic portrayal of Aman that left little room for imperfection. My work has long taken the opposite approach, and in this essay, I argue for the artistic need and canonical basis for grounding stories set in Aman in a more recognizable reality of human experience. This essay was written for Back to Middle-earth Month 2017 for the orange/nonfiction path with the prompt "Worldbuilding."

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