New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.

A tragic poem for each tragic son of Fëanor - their glorious rise and disasterous fall. Fëanorian week 2017.

A story for Feanorian week. One chapter for each brother. Based on the seven deadly sins and the seven virtues.
I am an unapologetic fan of the sons of Fëanor. I find them (and their parents and extended family) to be the most fascinating, complex and morally ambiguous characters in Tolkien's writings.
I usually tend to view and write them in a positive, redemptive light. This was an attempt for me to write a darker or less appealing side of them. Of course, being me, I had to counter each negative I wrote with its opposing positive.

Written for Feanorian Week 2017. Day 1: Maedhros
A view of Maedhros, just after the rescue from Thangorodrim. Fingon's perpective.
Quenya names utilized due to the timeframe referenced.
The title is taken from a quote by Khalil Gibran that seemed very appropriate: "Beauty is not in the face; beauty is a light in the heart."

This is an micro-essay and a banner created as an extended introduction to a fic-rec list pulled together to celebrate Maglor’s Day on the Fëanorian Week celebration on Tumblr and initially inspired by the SWG Strength and Beauty March 2017 challenge.

Varda has not forgotten Middle-earth.

"Real strength never impairs beauty or harmony,
but it often bestows it; and in everything imposingly beautiful,
strength has much to do with the magic." ~Herman Melville, Moby Dick
SWG March 2017 Strength and Beauty Challenge
B2MeM 2017 (blue path/artwork/secondary colors/Tolkien quote)
Fëanorian Week Tumblr 2017 - Day 1- Maedhros - > Adjusting/Coping, Beauty

Finrod is inspired to make a ring.

This is the tale of Eol and Aredhel as told from a different perspective. Some may like it and others not so much. As the author I can only hope that many will read it. I hope you all enjoy the story.

After the Battle of Unnumbered Tears, Maedhros revisits Fingon's fortress.

In 1997, Maglor visits the musical The Scarlet Pimpernel shortly after the premiere, and one song in particular catches his attention.
Also featuring Fëanorian Stubbornness.

He is reborn in Valinor, and they assume he died because the Kindi were incapable of standing against Morgoth, especially after their King and Princes were not.
(The Noldor forget that their relatives weren't left behind on the March because they were incapable, but because they didn't wish to come.)

As the Last Alliance marches east through desolation, Oropher learns of what befell the Entwives.

On the eve of the Great Journey, Morwë discusses his doubts with Finwë.

The death scenes of Fëanor and Fingolfin parallel each other closely in plot, beginning with the rash pursuit of single combat with Morgoth. Yet the manner in which the narrator of The Silmarillion, Pengolodh, employs language and symbolism leads to two very different conclusions that likely served to advance Pengolodh's political and personal agenda. Written for B2MeM 2017 for the prompt "Analyze a Chapter or Passage" on the nonfiction (orange) path.

The night after Eöl’s execution, a young orphan sits in his mother’s room and waits for his fate to catch up to him.

Eluréd, Elurín, and Radagast are traveling through Wilderland, and discover the Carrock—and that someone has carved steps into it.

In the week after the beginning of Dagor Bragollach, an elfling and his mother flee their settlement near the Fens of Serech. With his father's fate unknown and his home destroyed, the elfling considers what is to come next.

Elros, future King of Numenor, makes the acquaintance of some of his future subjects--and finds out that some traditions that he thought forgotten have survived the drowning of Beleriand.

Chapter 5 – Bird Talk - Known for his popular TV show “Shut Up and Listen,” specialist in bird behavior from early childhood Turko Fëanárion insists that his methods work with the most resistant birds and the clumsiest of humans. Get all the details in this water-resistant 100-page paperback guide.
These blurbs are written by a reader who is on the mailing lists of far too many publishing companies. Why not use some of the dozens of prompts of yet another annual B2MeM to design covers or ads, write ad copy, review, or draft summaries of books I would not be likely to write?

During various moments in his life, Celebrimbor is forced to reconsider the meaning of peace.

The young Túrin is led to the gates of Menegroth. What welcome will he receive?

Fantasy writers, including creators of Tolkien-based fanworks, have long struggled to depict the "otherness" of realms like Aman. In the past, the Tolkien fan fiction community showed a preference for an idealistic portrayal of Aman that left little room for imperfection. My work has long taken the opposite approach, and in this essay, I argue for the artistic need and canonical basis for grounding stories set in Aman in a more recognizable reality of human experience. This essay was written for Back to Middle-earth Month 2017 for the orange/nonfiction path with the prompt "Worldbuilding."

During the fall of Khazad-dûm, a piper unseen plays beside his king.

Modern setting AU. Maedhros/Fingon. Maedhros owns a bookstore. Fingon is in grad school. Expect appearances from varied members of the House of Finwë. Except Finwë--he's already dead in this story. This is a modern take on how Maedhros and Fingon meet and develop a relationship. Brothers, sisters, family and roommates--the gang's all here!
Cover artwork of Fingon and Maedhros by the incomparable cinemairon. So grateful, humbled and awed to have this amazing art be part of this story of mine.
Check out the tumblr at http://cinemairon.tumblr.com