Fanworks Tagged with B2MeM 2017

This is a Writing fanwork

Perception by Ysilme

Perception changes through past experience

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This is a Writing fanwork

The Deaths of Kings: Historical Bias in the Death Scenes of Fëanor and Fingolfin by Dawn Felagund

The death scenes of Fëanor and Fingolfin parallel each other closely in plot, beginning with the rash pursuit of single combat with Morgoth. Yet the manner in which the narrator of The Silmarillion, Pengolodh, employs language and symbolism leads to two very different conclusions that likely served to advance Pengolodh's political and personal agenda. Written for B2MeM 2017 for the prompt "Analyze a Chapter or Passage" on the nonfiction (orange) path.

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This is a Writing fanwork

Wait Until the Light Breaks by Michiru

The night after Eöl’s execution, a young orphan sits in his mother’s room and waits for his fate to catch up to him.

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This is a Writing fanwork

Bears and Bees by StarSpray

Eluréd, Elurín, and Radagast are traveling through Wilderland, and discover the Carrock—and that someone has carved steps into it.

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This is a Writing fanwork

Book Blubs by oshun

Chapter 5 – Bird Talk - Known for his popular TV show “Shut Up and Listen,” specialist in bird behavior from early childhood Turko Fëanárion insists that his methods work with the most resistant birds and the clumsiest of humans. Get all the details in this water-resistant 100-page paperback guide.
 
These blurbs are written by a reader who is on the mailing lists of far too many publishing companies. Why not use some of the dozens of prompts of yet another annual B2MeM to design covers or ads, write ad copy, review, or draft summaries of books I would not be likely to write?

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This is a Writing fanwork

The Fosterling Prince Arrives by Kaylee Arafinwiel

The young Túrin is led to the gates of Menegroth. What welcome will he receive?

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This is a Writing fanwork

On Writing Aman, or the Balance between the Mythic and the Real by Dawn Felagund

Fantasy writers, including creators of Tolkien-based fanworks, have long struggled to depict the "otherness" of realms like Aman. In the past, the Tolkien fan fiction community showed a preference for an idealistic portrayal of Aman that left little room for imperfection. My work has long taken the opposite approach, and in this essay, I argue for the artistic need and canonical basis for grounding stories set in Aman in a more recognizable reality of human experience. This essay was written for Back to Middle-earth Month 2017 for the orange/nonfiction path with the prompt "Worldbuilding."

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This is a Writing fanwork

Taking Readings II by Himring

Anthology for short pieces that don't fit anywhere else. 

Now added: "Something for Nothing" (Ecthelion, Egalmoth)

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This is a Writing fanwork

Bedtime Stories by lindahoyland

Aragorn tells his son stories of the First Age

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