New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Although never mentioned in The Silmarillion, Erendis rivals the most significant women in Tolkien’s legendarium in forcefulness of personality and certainly in sheer number of words expended upon her behalf.
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Estë is the goddess who sleeps through the book--or is she? Her character illustrates both the potential and ultimate shortcomings of so many female characters in Tolkien's legendarium.
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Not every Elf was a prince or a smith. The word lists give insight into some of the more unglamorous professions available to everyday Elves.
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As a professor of Anglo-Saxon, Tolkien's stories are undeniably influenced by the literature of this early people. This essay considers how exile, fate, the warrior ideal, and masculinity in the Quenta Silmarillion were influenced by the Anglo-Saxon poem The Wanderer.
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Deciding what constitutes canon for the purpose of making fanworks relies partly on the words of the texts but also on the geographical and temporal vastness and diversity of Tolkien's world.
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Tolkien Fanfiction Survey data shows that authors view comments as driving their motivation to create fanfiction. However, perception of comments by authors is part of a larger shift in fandom around how and how often fans interact with each other.
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Over thirty people contributed their thoughts on the experience of leaving and receiving feedback on fanworks. Emotions run high on all sides, but community and connections emerge as factors that promote feedback while easing its difficulties for readers and viewers.
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Fan responses show how complex is the understanding of the concept of "canon" within the Tolkien fandom. The first part analyzes responses around how fans navigate the complicated issue of Tolkien's canon. Update: Added responses from three additional fans.
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Fans who joined the Tolkien fandom because of the films report that the films inspired them to read the books, encouraged them to join fandom communities, and often resulted in forming lifelong friendships.
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The Tolkien fandom existed long before Jackson's film trilogies were even thought about. Fans who were active in fandom before one or both film trilogies recall how the films changed (or didn't change) their fan communities and experiences.
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Sixteen Tolkien fans contributed their definitions of and experiences with fanon or fan-generated theories about the legendarium.
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The fandom has become a friendlier place for writing women, but its hostile history toward women-centric fanworks continues to exert a chilling effect for some, while other creators see potential in the legendarium and fandom's traditional lack of women characters.
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Tolkien Fanfiction Survey data shows that while most authors self-identify as taking their craft seriously, a growing subset of authors may be pushing that norm.
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The tower analogy in "Beowulf: The Monsters and the Critics" wasn't simply a poignant extended metaphor about the poem but addressed specific scholars about academic debates around Beowulf. The lack of addressing this historical context has led to misreadings of Tolkien's meaning.
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Tolkien Fanfiction Survey data shows that femslash—the Tolkien fandom's youngest genre—has grown in popularity with readers, while authors may use it to share and reflect on experiences of marginalization.
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The story of Fingon the Valiant epitomizes the fate of the exiled Noldor, involving elements of extraordinary personal heroism combined with a foreordained doom to form the gripping foundation for the principal story.
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The considerable virtues of Finrod Felagund are tempered with enough flaws to leave him an intruiging character.
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Jane Chance's interpretation of the tower analogy in Tolkien's lecture-turned-essay "Beowulf: The Monsters and the Critics" dismisses historical inquiry as a valid reading of the poem.
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Galadriel is a rare example of a character added to The Silmarillion after and because of The Lord of the Rings. The complexity of her character development post-LotR largely comes from trying to fit her character into the existing myth. Part 1 explores her life in the Years of the Trees and the First Age; Part 2 continues with the significant influence she wields over the legendarium in the Second and Third Ages.
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Tolkien may have taken inspiration for Galadriel's character—an outspoken queen figure—from literary and historical figures like Circe, Eleanor of Aquitaine, and Joan of Arc.
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