Fanworks Tagged with Gil-galad

Dye Days are uncomfortable. The newly arrived party from Imladris makes it even more uncomfortable.

Written for S&D 2025, Slide 18 Blood On Their Hands by Zhie

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There hadn’t been much left of Gil-galad to pick up when Elrond had found the place he had fallen.

Celebrían and Elrond construct a memorial to Gil-galad.
For S&D 2025 Slide 8

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Set in Keiliss' Sanctuary 'verse, where Erestor, Gil-galad, and Elrond road trip around modern day South Africa, looking for a missing Glorfindel. This takes place after they find him but before they return to Europe. I guess he wanted to take them to a special place special he knew, before they left.

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Drabbles written at the Insta-drabbling session at the SWG Discord on 21 December (Winter Solstice in the northern nemisphere), for expanded prompt sets based on the Bake-off Challenge.

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In the wake of the Final Battle of the Last Alliance, Erestor struggles to keep moving and to reach out to friends and family.

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Cirdan has never felt so old.

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Pallando the Blue Wizard arrives in Middle Earth in the Middle of the Second Age to aid the Elves of Lindon and Eregion in their war against Sauron. Almost at once, he abandons his post, leaving the war effort to Alatar his partner, and travels East. Some force compels him to go to the Red Mountains, his feet drawing him ever on towards the Gates of the Sun at Kalorme. Along the way he will go to the ruins of Belegost, encounter Daeron the Loremaster lingering on the shores of Lake Nenuial, and travel the Old Dwarf Road to Gundabad to council the Longbeards on the war in Eregion. But he is drawn thence to the Eastern shores of Rhun, where an ancient mystery from a lost realm of the Avari awaits him: the realm of Palisor. It is King Tu, last King of the Wild Elves, who from his seat in the underground lake on the Eastern Shores of Rhun, holds the key that will save the Men of the East — or put them under the Shadow forever. 

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After his release from the Halls of Mandos, Melkor seduces many of the Noldor with honeyed words and accusations against the Valar.  The Two Trees are ruined and the Sun and Moon arise.  One of these elves, Ardana the Astrologer, leads her people to return the skies to their original form, nothing but stars.  But she must destroy the Sun and Moon to accomplish that from her holds in the south of Middle Earth.

This is a non-canon story that is inspired by an MERP RPG series that was a gift from my aunt.  Most of the characters and settings were from the series and some quotes and songs are taken from Tolkien's writing.  It also ties in with the Wars in Beleriand and two my other two stories, The Dark Mage of Rhudaur and The Thieves of Tharbad.  The story is designed to span three ages.

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“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On the other side of it was a larger party than Maglor had ever seen in Lórien—five figures sitting in the grass. Huan barked again, and they all looked up. “It seems everyone has come to fetch us home,” Maedhros said, laughing, as all their brothers scrambled to their feet.

After years in Lórien, Maglor and Maedhros are ready to return to their family and to make something new with their lives--but to move forward, all of Fëanor's sons must decide how, or if, they can ever reconcile with their father.

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A soldier in Elendil's army and the last High King of the Elves strike up an unusual friendship under the light of the stars.

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This paper looks at the origins of the popular fanfiction "kidnap fam" trope in the editorial history of the published "Silmarillion." With much of the attack on Sirion written in 1930, prior to Tolkien writing The Lord of the Rings, Christopher Tolkien was faced with an editorial choice in how to reconcile this event with the later invention of the character of Gil-galad. Adding Gil-galad and Círdan to the tale of Sirion's destruction, however, raises questions for many readers about the motives and choices of Maglor and Maedhros in choosing to take Elwing's sons. Survey data, shows that readers tend to interpret characters' morals and motives based on what they believe those characters knew. The introduction of Gil-galad and Círdan by Christopher Tolkien, therefore, generates the moral complexity that drives the wealth of fanfiction about the "kidnap family." These many layers of intervention in the story—by Tolkien, by Christopher, by fan creators—mimics the storytelling tradition and creates a living legendarium: not a mess, as some readers despair of the multiple contradictory "Silmarillion" texts, but an opportunity.

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This Mereth Aderthad 2025 presentation considers what we know of Gil-galad beyond his primary role in the text as king. While we have some information about his character, such as his appearance, other facts—names and parentage, for instance—remain unsettled. In other areas, we know almost nothing about Gil-galad, especially compared to the other Noldorin kings, which "leads to him feeling unmoored in the narrative." Gil-galad does not speak, performs no actions outside of kingship, and is given no meaningful relationships. Basic facts, such as his burial, are missing. He is seen from the outside, becoming a side character despite being the longest-reigning Noldorin king. It becomes the task of fans to answer the question Merry asks in "The Lord of the Rings": Who was Gil-galad? Fan creativity plus tantalizing glimpses of his character have filled in the blanks Tolkien left.

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Two scenes from the third kinslaying: the sack of Sirion and the adoption of Elrond and Elros by Maglor and Maedhros.

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The truth was, she should have been dead. The spear that was now leaning against the wall behind her should have killed her. The healers had told her that they had never seen someone survive such a wound, especially without the aid of elvish medicine, as she had been for the first days after the people of Brethil had found her. 

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A collection of drabbles primarily featuring male characters from the Legendarium

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Nine theses on Fate, divinity and Elvish theology, told through the philosophy and study of music. 

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Gil-galad was an Elven-king whose past is a complex tapestry of history.

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As a very young child, Gil-galad arrived on Círdan's doorstep with no memories and nothing but a brief letter containing two things: a request to foster him, and a name, Ereinion. Silver-haired scion of kings, he always suspected his lineage was more vexed than anyone, Noldor or Sindar alike, was comfortable admitting, especially in those fragile last days before the War of Wrath.

Parents as well as kings must make difficult decisions. After the Third Kinslaying, Gil-galad learns this the hard way.

Title is a reference to Elizabeth I's Speech to the Troops at Tilbury.

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Ereinion becomes Gil-galad, the king, but never disappears. Three episodes from the life of a king.

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Everyone, including the Valar, are convinced that Fingon and Maedhros are lovers no matter how many times they explain that they very much are not. When will they get it through their thick skulls that there are other ways to love and be committed to someone? Apparently not soon enough. When the Valar decide to involve Maedhros and Fingon in their meddling, it leads to some interesting circumstances.

A queerplatonic take on Maedhros and Fingon's relationship for Russingon Week, with some Gil-Galad parentage exploration for fun.

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Kai is the featured artist for Maglor's Mereth Aderthad 2025 presentation, "Gil-galad was an Elven King: Kingship and Personhood in the last High King of the Noldor." Shadow spoke with Kai about his wide range of interests and inspirations in the legendarium and why Maglor's presentation so intrigued him that he finished the art for it the first night.

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Maglor finds himself alone with only sorrow and song for companions. But lamentation can neither undo the sorrows of which it tells, nor turn new hardships aside.

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Gil-galad, Hamilton lyrics and three poignant events in his life.

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In the end, the master of lies made the mistake of underestimating him. 
A story of Celebrimbor, the last of the House of Fëanor in Middle-erath.

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Drawing my favorite Gil-galad origin headcanon, wherein Fingon stumbles across a stray war orphan in the battlefield.

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