Fanworks Tagged with Character

The paper written for the presentation of the same name at Mereth Aderthad.

Abstract: In the Silmarillion and The Lord of the Rings, three characters share the same stated or implied name etymology, “twilight + child,” in their secondary names: Lúthien, Arwen, and Maeglin. While the parallels between Lúthien and Arwen are outright stated in the text of The Lord of the Rings, Maeglin’s position as an antagonist sees him left out of the analysis of parallels between characters of the same name.

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This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.

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This Mereth Aderthad 2025 presentation considers what we know of Gil-galad beyond his primary role in the text as king. While we have some information about his character, such as his appearance, other facts—names and parentage, for instance—remain unsettled. In other areas, we know almost nothing about Gil-galad, especially compared to the other Noldorin kings, which "leads to him feeling unmoored in the narrative." Gil-galad does not speak, performs no actions outside of kingship, and is given no meaningful relationships. Basic facts, such as his burial, are missing. He is seen from the outside, becoming a side character despite being the longest-reigning Noldorin king. It becomes the task of fans to answer the question Merry asks in "The Lord of the Rings": Who was Gil-galad? Fan creativity plus tantalizing glimpses of his character have filled in the blanks Tolkien left.

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Elu Thingol is a complicated character in "The Silmarillion." Faced with tough choices, he makes both good and bad decisions. But, as this paper argues, the Silmarillion fandom tends to file Thingol away as a convenient villain. This paper makes the case that many of his decisions are more complex than fans tend to assume and defends his place as one of the legendarium's complex characters and deserving of empathy.

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Part fandom-commentary and part literary-critical reading, this essay considers the interpretive ease with which Elrond’s “kindness” is conflated with moral coherence, particularly when it comes to treating his affective attachments to the Fëanorians and/or Elwing and Eärendil as absolute ethical verdicts. Drawing on affect theory, trauma theory and adaptation analysis, I explore a way to read Elrond’s kindness as a cultivated practice which is not incapable of bias or harm. By reframing Elrond as a figure whose kindness arises from ambivalence rather than moral certitude, I try to offer a perspective that considers how 'virtue' is not an innate or fixed quality but one shaped by violence, grief, loss and the structural constraints of doctrine.

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The first lord of the Éothéod, Marhwini helped establish diplomatic ties with Gondor, and his story serves to comment on the inherent value of service toward a friend, no matter the immediate outcome.

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Maglor spoke with Shadow about his upcoming presentation for Mereth Aderthad, "Gil-galad was an Elven King: Kingship and Personhood in the Last High King of the Noldor," and what makes Gil-galad such an intriguing—and mysterious—character.

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Stella Getreuer-Kostrouch has always felt deeply connected to the character of Elu Thingol. In this interview, Quente asks about this connection and how Stella sees Thingol as unjustly treated by many in the fandom.

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An essay on the subject of Celebrimbor, sin, and pity.

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Notes and writings on Celebrimbor, following the 30-Day Character Study challenge prompts.

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The text below is born of a conversation I had with a friend irl, in which she said she'd love to have an epic love story the like of Beren and Luthien (We're both fans of Tolkien so...)

Only the way I read it, the story of Beren and Luthien is not about love, but about pride: It's an epic lesson on the subject of pride and greed. 

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A seemingly minor character, Vidumavi's story illustrates the themes of fellowship, the fading of faerie, and the dangers of racial hierarchy.

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A summary of the events in J.R.R. Tolkien's text The Disaster of the Gladden Fields, written for the Third Age Sessions at Alliance of Arda.

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Just developping here my thoughts on Finwë, king of the noldor of Tirion. 

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Examining the relationship between Andreth and Finrod as shown in the Athrabeth.

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About Olwë, the king of the Teleri in Aman, little is known, but a series of difficult events marked his life until he fades from the pages of The Silmarillion in the First Age.

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Celegorm emerged early in Tolkien's work on the "Silmarillion," but his evolution into the villain he would become in the published text is complicated, and he filled two surprising roles before coming fully into his own. The first of two parts considers how early work on the "Silmarillion" shaped his final characterization.

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A dissenting voice in Marach's alliance with the Elves of Beleriand, Amlach experiences a change of mind after a mysterious twist in the story reorients his priorities toward enmity with Morgoth.

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One of the gods of music in the early legendarium, Ómar is called by Christopher Tolkien "a divinity without much substance" and swiftly faded from the story. His brief existence may shed light on Tolkien's evolving sense of how his fictional universe aligns with the historical peoples that inspired him.

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After the Nirnaeth Arnoediad, Húrin's heroic life takes a turn for the tragic and illustrates themes of courage, betrayal, and the promises and perils of vision. Although given one of the most inconclusive endings in the legendarium, Húrin retains a heroic reputation that resonates through the ages to follow.

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Annael was the foster-father of Tuor and a Sindarin Elf who played a minor but important role in his life.

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Though appearing just briefly, the fierce wolf Draugluin is characterized using elements from myth and folklore, leaving him a character memorable for his dread.

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A character who remained in the legendarium, largely unchanged, since its earliest writings, Húrin lives an early life defined by valor and heroism. This first part of his biography explores his heroic youth, including connections to ancient and medieval history.

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A tragic figure of the Second Age, Tar-Míriel should have been the ruling queen but was usurped and forced into marriage by her cousin, leaving her to witness Númenor's fall.

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Salmar appeared early in the legendarium in a muddled variety of roles only to disappear swiftly, known in the published text as the artificer of the horns of Ulmo, the Ulumúri.

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