Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
After the fall of Dorthonion, Edhellos (originally named in Quenya Eldalote), Angrod's wife, has chosen to move to Barad Nimras, the tower that Finrod built in the Falas on a headland west of Eglarest.
A series of half-drabbles using the one word prompts for the March/April 2025 Birthday Bash Challenge, looking at the perception of time through the eyes of Maiar (in general), Maedhros (specifically), and Aragorn and Arwen (specifically).
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
Silmarillion Epistolary Week 2026
Silmarillion Epistolary Week is a Tumblr challenge dedicated to creating fanworks to tell the story of the Silmarillion in the style of an epistolary novel.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Ah, the question of weapons pre-Morgoth in Aman! One of my favorite heresies. :) You know my theory that the Elves had weapons in the Outer Lands, and the art was not lost on the Noldor of Valinor. Although this piece is short, you nonetheless touch on the conflicts and conflicting emotions this might have engendered. I've always seen swords and weapons as potent symbols to them ... but symbols with different meanings to different people. I like that you show this here.
Thanks, Dawn! I suspect, like a lot of elements of my personal canon, I was first caused to think about the weapons question by running across your interpretation in your stories. I have no idea where this ficlet came from, at this time. I think I was wondering how complicit (it would be more passive than active I think) is Finwe in a whole series of things that Feanor becomes obsessed with. I don't think Feanor keeps anything from Finwe.
Recently been thinking that Feanor is at times Finwe's alter ego and at other times pushes Finwe out of a comfort zone, almost like a nagging conscience which he has almost quieted but never entirely. He is definitely an unsettling element for Finwe and also greatly indulged. In the end, Feanor means more to him than his duty, his wife, or his other children. One could do a lot with that.
Weapons in paradise is a big dilemna and interesting to me on so many levels.
Oh, you caught me! It is an outtake. The last sections of that one are just getting too long and crowded. I hope it works as a stand-alone? Thanks so much for reading and commenting.
Comments on Master Swordsmith
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.