Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Random Challenge
Back to Nature
Create a fanwork that considers conflicts with nature--both overt and symbolic--and characters' relationships with that which is natural in their world. Read more ...
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Ah, the question of weapons pre-Morgoth in Aman! One of my favorite heresies. :) You know my theory that the Elves had weapons in the Outer Lands, and the art was not lost on the Noldor of Valinor. Although this piece is short, you nonetheless touch on the conflicts and conflicting emotions this might have engendered. I've always seen swords and weapons as potent symbols to them ... but symbols with different meanings to different people. I like that you show this here.
Thanks, Dawn! I suspect, like a lot of elements of my personal canon, I was first caused to think about the weapons question by running across your interpretation in your stories. I have no idea where this ficlet came from, at this time. I think I was wondering how complicit (it would be more passive than active I think) is Finwe in a whole series of things that Feanor becomes obsessed with. I don't think Feanor keeps anything from Finwe.
Recently been thinking that Feanor is at times Finwe's alter ego and at other times pushes Finwe out of a comfort zone, almost like a nagging conscience which he has almost quieted but never entirely. He is definitely an unsettling element for Finwe and also greatly indulged. In the end, Feanor means more to him than his duty, his wife, or his other children. One could do a lot with that.
Weapons in paradise is a big dilemna and interesting to me on so many levels.
Oh, you caught me! It is an outtake. The last sections of that one are just getting too long and crowded. I hope it works as a stand-alone? Thanks so much for reading and commenting.
Comments on Master Swordsmith
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.