Choose a Name for Our New Column!
Our temporarily titled "location bio" will focus on the landscapes and locations of Middle-earth. We need your help naming it!
Alone on the shore, after Sauron's defeat, Maglor watches a ship leave Middle Earth and writes in a notebook a letter that he would never send.
Alone, lost on the shore of the sea, Maglor remembers...
In which Celegorm receives a strange message from his brother and talks to Aredhel.
Maglor writes to Thranduil and Celeborn in their castle in Transylvania, asking for help when an early archaeologist tries to dig up The Shire.
(Thranduil and Celeborn canonically 'meet up' in the middle of Mirkwood after Sauron is defeated.)
When Fingon rescues Maedhros he sings a song of Valinor the Noldor made of old. How did that song come to be?
As a young minstrel, Makalaurë performs a Song of Power for the first time. His music changes irrevocably the destiny of his older brother Maitimo and his cousin Findekáno.
How do Maglor and Fingon use Songs of Power in Beleriand?
Maglor in Avebury, at the turning of the year.
This is a story about love's redemptive power, the restoration of hope and belief, it is a slow burn and deals with the the outcasts of society who don't fit in. When two lost and lonely people meet and fall in love they have to navigate an Elvish society that is not quite as fair minded and open as one would think, in fact its down right xenophobic and judgmental and prejudiced.
Through snow, through ice, through ash and flame...I will always come for you, Russandol.
Fingon rescues Maedhros from Thangorodrim. It is no easy feat, for he battles not only the creatures and the hostile land, but also himself.
After Fingolfin gets a worrying letter from Maedhros, he rides to Himring to be there for him.
Elrond and Elros are left without parents; found by their folks' murderers in the ruins of Sirion; taken from the havens of their childhood to wander elsewhere and abroad. And yet, not all is lost--love grows, leaders are raised, pain is endured. Lives transform.
A character study in the key of complex trauma.
Havens rise elsewhere. e
Elrond, looking back.
"...love grew after between them, as little might be thought..."
Drabbles and one-shots written for instadrabbling sessions on the SWG Discord server.
Maglor flirts with anti-establishment views and fails miserably at flirting with anything else. Elemmírë just wants him to work on his melisma.
Macalaurë cares for Tyelpë, with some interesting results.
Maglor, still wandering, and a song originally sung by Judy Garland.
What is left behind to linger in time.
There’s an Elf climbing through the garage window.
Worse than an Elf: a Mod.
(a Maglor-in-History)
The impossible happened – a Silmaril has been stolen from Morgoth’s crown. Maedhros decides to reunite the People of Beleriand against the Enemy and attack him while he is still unprepared (which is by no means less impossible). Meanwhile, in the hidden city of Gondolin, Lord Glorfindel of the Golden Flower pursues the meaning of his recurring nightmares, only to find himself in the centre of a secret ploy against the ever-growing power of Maeglin Lómion in the King’s Council.
The People of Beleriand are astir; and as the strings of our heroes’ fates tangle, a dark shadow creeps above the North – the Fifth Battle approaches. And to what end, no one could dream...
I would like to share my revelations of Tolkien's Universe in the form of narrative and emotional poems.
Maglor wanders. Elrond dreams of Maglor and goes on a search.
In Gondolin, Turgon is depressed...
A series of connected stories chronicling the life of Maedhros, eldest son of Feanor.
Stories of Elrond and Elros\' childhood in the household of Maglor and Maedhros.
Banner made for the series by Lingwiloke (Fandom Stocking 2016)
The main story arc of this series goes from just after the rescue from Thangorodrim to Maedhros's death. However, the narrative is not strictly chronological - there are flashbacks, flashforwards and recounted memories. These span from Maedhros's childhood in Tirion to his release from Mandos just before the end of Arda. The individual stories are told from different points of view: Maedhros himself, Fingon, Maglor and Elrond. Although the upshot of the series is that it is pretty tough being doomed all the time, some bits are a lot more gloomy than others. All the dialogue was even wittier before being clumsily translated from Quenya. Considering the subject matter, very little blood and gore (I think). The ratings and warnings for individual sections differ greatly from the overall rating: see the individual stories.
ETA: Since I wrote this description of the series, it has snowballed in all directions. I feel that the description ought to be revised, but it is difficult to know exactly how to tweak it. You may wish to compare the more recent description of the series (with notes) on AO3: http://archiveofourown.org/series/36091
Other links that might be helpful are these: a fragmentary timeline (https://hhimring.dreamwidth.org/61360.html), and a listing of original characters: http://hhimring.dreamwidth.org/69187.html (both on my Dreamwidth journal)
Illustrations to the series by Alasse now separately posted on AO3: https://archiveofourown.org/works/20456276/chapters/48536480
Scenes from the Third Kinslaying, from different points of view.