New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.

While the War of the Elves and Sauron rages in Middle-earth, Finduilas welcomes Elwing on Tol Eressëa to let her seek out news about her son. Neither woman expected to have her feelings thrown into turmoil by the visit. Written for Calima at AinA 2014.

From the Sacking of Sirion to Amon Ereb; from princes to captives to sons. The story of the unlikely bond between Elrond and Elros and Maglor and Maedhros.

Maedhros defied his father only once. AU.

It was notorious, in Doriath, that Lúthien’s beauty was so powerful than her charms were able to cross the usual lines... Drabble.

A collaboration between alackofghosts and yours truly for the International Day of Femslash, featuring art and fic: Aerin comforts a grieving Morwen after news of the Nirnaeth Arnoediad reaches Dor-lómin.

A story of Galadriel and Luthien in Doriath, early First Age. Written for International Day of Femslash 2014. Many thanks to Ignoble Bard for the rush Beta of this.

Lúthien lives with Beren as an immortal until his time runs out. Someone's been waiting, of course, and is there to catch her when she starts falling apart. Or when she gets into fights with Orcs.
(AU: Beren didn't die, meaning there was no trip to Mandos, meaning Lúthien is still immortal.)
For the International Day of Femslash.

After the War of Wrath the reconciliation of the Noldor and Teleri draws near, but matters are complicated by the love of Eärwen and Anairë.

Drabble, Hurin/Morwen. (drabble, english and french versions)

Fëanor's death and its aftermath, as told by the Fëanorian bards and as it truly happened. A free-verse poem.

After his abdication, Maedhros has one final gift for Fingolfin

In the early years of the First Age, Lalwen, Idril and Aredhel participate in a festival of the Mithrim Sindar and find, unexpectedly, some healing of the griefs of Helcaraxë.

Spending a spring day with Elenwë reveals a surprising gift for Írissë.

Nolofinwë struggles to recognise his nephew after his rescue from Angband.

Coming-of-age ficlet about sexual experimentation, but more fundamentally about acceptance and friendship. A Finwean cousins' camping trip. Many thanks to Ignoble Bard for the quick Beta.
For the Legendarium Ladies April challenge on Tumblr.

An academic essay composed by an unnamed Numenorian naturalist; (an open-minded lady of the court of Ar-Adûnakhôr) concerning the biology and habits of Orcs. (Illustrated)

In the age before the sun, new creatures grow and hunt and are hunted in turn. A Maia who chose his own master now chooses a new, more suitable name. (Pictures Included!)

A study in sentiments over time; a collection of moments surrounding Melkor and Sauron, from the Spring of Arda to the fall of the Third Age.

Not everyone at Losgar is thrilled about burning the fleet. The captain of one of Fëanor's ships questions her orders.

Running Yavanna’s errands in First Age Middle-earth is a tough job, but someone has to do it.
(Written for the B2MeM prompt, “Write or create art in which a character plants something.” Not a light-hearted humour fic. At all. A little quirky, though.)

During the Dagor Bragollach, a captain of the Fëanorian soldiers in Lothlann finds herself caught in the flames.

In Númenor, Elros tells his children a tale from his long-ago childhood. Written for B2MeM 2014.

Prompt: B2MeM 2014 - Write a story or create art about the midwinter holiday (Yule or another midwinter holiday of your choosing).
Elrond looks back on Yuletides past at two distinct periods in his life, nearly an Age and a half apart. “The famous saudade of the Portuguese is a vague and constant desire for something that does not and probably cannot exist, for something other than the present, a turning towards the past or towards the future; not an active discontent or poignant sadness but an indolent dreaming wistfulness.” (In Portugal, by AFG Bell, 1912.)
Artwork included is by Dawn Felagund. (Calligraphy and illumination of brief passages from the story. Artist's note: The calligraphy utilizes a script I developed based on Tolkien's own writing in the Tengwar of "Namárië" and "A Elbereth Gilthoniel." The illumination is based on a style used in the 15th-century Bible of Borso d'Este. Ink, acrylic, and gold leaf on Bristol vellum.)

Gil-galad rides to Forlond on an important errand which may not turn out quite as he, Elrond or Erestor expect.