New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
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This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
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Theft is heavily stigmatized in the Old English legal literature. This stigma carries over to fictional sources, including Beowulf. As a professor of Anglo-Saxon, Tolkien was heavily influenced by these sources. Multiple characters in Middle-earth shy away from the label of 'thief', even as they take actions which many would describe as stealing (see Bilbo, Beren, Lúthien). The balance between historical stigma and the more modern hero thief is mediated by judicious word choice and framing.
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Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
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This Mereth Aderthad 2025 presentation considers what we know of Gil-galad beyond his primary role in the text as king. While we have some information about his character, such as his appearance, other facts—names and parentage, for instance—remain unsettled. In other areas, we know almost nothing about Gil-galad, especially compared to the other Noldorin kings, which "leads to him feeling unmoored in the narrative." Gil-galad does not speak, performs no actions outside of kingship, and is given no meaningful relationships. Basic facts, such as his burial, are missing. He is seen from the outside, becoming a side character despite being the longest-reigning Noldorin king. It becomes the task of fans to answer the question Merry asks in "The Lord of the Rings": Who was Gil-galad? Fan creativity plus tantalizing glimpses of his character have filled in the blanks Tolkien left.
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Presented at Mereth Aderthad 2025, this paper considers how the themes of love and grief run parallel throughout The Silmarillion and are central to Tolkien's imagination. Also central is alliterative verse, and the paper discusses Tolkien's use of alliterative verse in the legendarium, his literary and scholarly influences, and his professional interest in alliterative verse. The paper draws parallels between alliterative verse in the legendarium and in the English literary tradition, making the case that alliterative verse was used in-universe by the Elves. Finally, the paper uses this evidence to advocate for fanworks that use alliterative verse.
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This paper looks at the origins of the popular fanfiction "kidnap fam" trope in the editorial history of the published "Silmarillion." With much of the attack on Sirion written in 1930, prior to Tolkien writing The Lord of the Rings, Christopher Tolkien was faced with an editorial choice in how to reconcile this event with the later invention of the character of Gil-galad. Adding Gil-galad and Círdan to the tale of Sirion's destruction, however, raises questions for many readers about the motives and choices of Maglor and Maedhros in choosing to take Elwing's sons. Survey data, shows that readers tend to interpret characters' morals and motives based on what they believe those characters knew. The introduction of Gil-galad and Círdan by Christopher Tolkien, therefore, generates the moral complexity that drives the wealth of fanfiction about the "kidnap family." These many layers of intervention in the story—by Tolkien, by Christopher, by fan creators—mimics the storytelling tradition and creates a living legendarium: not a mess, as some readers despair of the multiple contradictory "Silmarillion" texts, but an opportunity.
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A critical reading and primary source reinterpretation of documents that contributed to John Hendrix’s The Mythmakers.
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Elu Thingol is a complicated character in "The Silmarillion." Faced with tough choices, he makes both good and bad decisions. But, as this paper argues, the Silmarillion fandom tends to file Thingol away as a convenient villain. This paper makes the case that many of his decisions are more complex than fans tend to assume and defends his place as one of the legendarium's complex characters and deserving of empathy.
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Sesame is the featured artist for Jaz's Mereth Aderthad 2025 presentation "Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel" and spoke with Dawn about their artwork and the evolution from a kid who loved The Hobbit to taking notes on the fall of Gondolin.
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Cindy Gates' presentation for Mereth Aderthad 2025, "Tolkien, Lunatic Physicists, and Abnegation," explores the ethics of refusal in the (mis)use of science and technology. A retired scientist herself, Cindy spoke to Grundy about her upcoming presentation and its inspiration in Cindy's fascination with the Manhattan Project.
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Kai is the featured artist for Maglor's Mereth Aderthad 2025 presentation, "Gil-galad was an Elven King: Kingship and Personhood in the last High King of the Noldor." Shadow spoke with Kai about his wide range of interests and inspirations in the legendarium and why Maglor's presentation so intrigued him that he finished the art for it the first night.
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Fish is the featured artist for Stella's Mereth Aderthad 2025 presentation "Cherished antagonist, despised protagonist - a defence of Elu Thingol." Shadow spoke with fish about his creative process, the importance of both tragedy and eucatastrophe to Tolkien's works, and the appeal of "greyness" in Silmarillion characters like Elu Thingol.
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Zdenka is a fan writer, poet, and musician who will be performing both a song and an alliterative poem at Mereth Aderthad 2025. Zdenka spoke with Himring about about her love of music and her evolving understanding of what it means to be a Jewish Tolkien fan.
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Idrils Scribe is the featured author for Stella Getreuer-Kostrouch's Mereth Aderthad 2025 presentation, "Cherished antagonist, despised protagonist - a defence of Elu Thingol." Shadow spoke with Idril about her story for the event, about the disproportionate criticism Thingol tends to receive in the fandom, the endless layers of the legendarium, and the arc of fandom history that makes inclusive communities essential for creators to thrive.
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The first lord of the Éothéod, Marhwini helped establish diplomatic ties with Gondor, and his story serves to comment on the inherent value of service toward a friend, no matter the immediate outcome.
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Flora-lass will be presenting a poem inspired by Stella Getreuer-Kostrouch's presentation, "Cherished antagonist, despised protagonist - a defence of Elu Thingol" at Mereth Aderthad 2025. Anérea spoke with Flora-lass about her poetry, getting involved with fandom later in life, and the appeal of Thingol as a subject of fanworks.
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Anérea and Shadow are the respective featured artist and featured author for Zhie's Mereth Aderthad 2025 presentation, "How To Make a Star From a Tree: The Science of Telperion and Laurelin," and they are both interviewers for Mereth Aderthad as well. They spoke to each other about their projects for Zhie's presentation, the symbolism and physics of light, and the magic of Tolkien and fandom.
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The featured artist for polutropos' Mereth Aderthad 2025 presentation "'Kidnap Fam' and the Living Legendarium," Tang Wen Xi creates artwork, including martial scenes, with a bold, vibrant style that often seems to leap and move within the page. Dawn recently spoke to Tang Wen Xi about his inspirations within the legendarium and how he creates his one-of-a-kind art.
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Video and materials from our session on how to give a presentation at a Tolkien conference. The session covers how to practice, plan, and prepare for the presentation; what to expect on the day of the presentation; tips for participating in the Q&A; and how to plan ahead for common worries and mishaps.
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As the featured artist for cloudyhymn's Mereth Aderthad 2025 presentation "The Design of Dragons and the Doom of the Dwarves," Varda delle Stelle describes her idea for this presentation as springing fully formed as Athena from Zeus's head. Varda chatted with Shadow about what drew her to this presentation, her approach to painting, and her hopes for her Mereth Aderthad work.
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Long fascinated with the Manhattan Project, Grundy was naturally drawn to Cindy Gates' Mereth Aderthad 2025 presentation “Tolkien, Lunatic Physicists, and Abnegation" and is making a work of glass art to accompany it. Shadow spoke to Grundy about her inspiration on the project and long love of Tolkien.
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Reese is the featured author for polutropos's presentation "'Kidnap Fam' and the Living Legendarium" at Mereth Aderthad 2025. Dawn spoke with reese about the silences storytellers leave, mythology, and the appeal of alternate universe fanfiction.
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As a physicist themself, Azh confronts the issues around the ethical use of science in both the professional and creative realms. Shadow spoke with Azh about their story "Lightborn," written to accompany Cindy Gates' Mereth Aderthad 2025 presentation “Tolkien, Lunatic Physicists, and Abnegation,” its real-life inspirations, and the importance of fallibility in Tolkien's world.
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In our series of interviews of creators for Mereth Aderthad, Shadow spoke with Dawn about her story, written for Savannah Horrell's "By Guile Committed: Comparing Tolkien’s Thieves to Beowulf" presentation, the balance of planning an event and creating for it at the same time, and the intersection of Tolkien and Beowulf.
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