New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.

Maglor is charged with an impossible task: to write a song for Fëanor's hundredth begetting day. Initially, he refuses, but his memories of Fëanor and their tulmultuous relationship eventually inspires him to the impossible and his greatest accomplishment yet as a musician.

Fëanor was young when he first saw Arien, the Maia who tends Laurelin. Over the years, his thoughts of her become obsessive and lead him into dreams of forbidden intellect and sensuality. Newly wed, Fëanor hopes to be rid of dreams of her but finds she still enthralls him. Arien/Fëanor

On the eve that Fëanor presents the Silmarils to his family, Fingolfin mourns for the inadequacy of his own accomplishments. Comforted by his sister Lalwen, he recalls the comic puppet shows that she put on as a girl, that reduced the overlarge presences in her life to decorated socks. From Lalwen and his memories of her, Fingolfin learns much about managing his anger toward Fëanor and his own sense of duty.

After becoming lost while on a hunting trip with Celegorm and Oromë, Fëanor discovers something unexpected about his son's relationship with Oromë ... or he thinks he does. A humor piece about double entendre and misunderstanding.

Long ago in Aman, Finwë told his young grandsons the legends of Cuiviénen, hoping that the lessons learned by the Elves in Middle-earth would guide them morally. Many centuries later, in Middle-earth, the sons of Fëanor have lost sight of those lessons, but the rising of a new star suggests all hope is not lost.