Fanworks Tagged with Violence (Graphic)

In which May is captured and Fin rescues her (with some string-pulling help given by Commander Skywalker, of course). Or, the Fingon/Maedhros edition of Star Wars AUs.

(Written for Amy Fortuna for Chocolate Box 2015)

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During the first age, when Beleriand itself stands on the brink of destruction and Doriath falls from the height of glory to begin its long decline, Celeborn, a Sindarin prince as quick to wisdom as he is to anger, meets Artanis, a Noldorin princess plagued by a dark secret, and, amidst a budding romance, they soon find themselves plunged into a world of intrigue, lies, and mystery as ties between their peoples grow turbulent.

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Afrer Alqualondë, Aredhel grieves for her lover.

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When he returned victorious from Middle-earth with Sauron as his trophy, Ar-Pharazôn kept this hostage naked, in chains, and under guard in the most remote of his cells. She had been enjoined from looking upon him then because Ar-Pharazôn mistrusted him, feared him as an asp not yet defanged. Later, still guarded but no longer in bonds, Ar-Pharazôn moved Sauron from the dungeon to a suite of unembellished rooms where he might interrogate him more conveniently, and he barred her from looking upon him then because he believed her weak and easily guiled by Sauron’s lies. Now the prisoner had been exalted, called Mairon rather than Sauron, given a seat of honor in the king’s house, and she was the one kept under guard, forbidden to look upon him because she might offend him as one of the Elendili. Ar-Pharazôn had been right the first count: whether in shackles or in silks, Mairon was not to be trusted. He had been very wrong on the second: it was not she who had been easily guiled. On the third...well, she would soon know for herself.

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Annatar likes to paint, but not with ordinary artist's colors. His medium of choice is blood and other bodily fluids, using naked skin as canvas; and now, he is his own master and can do with his captives as he pleases. This is a sick and disturbing snippet of Celebrimbor's suffering in Annatar's hands shortly after his capture and before his death.
Heed the warnings [blood, excessive violence, knife- and bloodplay, graphic description of torture, torture with chemicals] - this is no happy or fluffy fic (but includes an edit and a fanmix)

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Artanis had a part in the First Kinslaying.  

Warning for violence.  (This is the First Kinslaying.  There's violence.)

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Glorfindel’s violent death has left incurable mental wounds behind and his memory only consists of very small fragments. Thoughts of how he had failed to protect the White City and its inhabitants trouble him to such an extent that Námo seems incapable to cure him. He is released from the Halls of Waiting to reside in Irmo’s gardens to aid his recovery, because: sooner or later, he has to return to Middle-Earth. However, his state remains unchanged and in his desperation, Irmo consults Manwë for guidance how to proceed with the grieving elf in his care, without being aware of their own fateful history.

This story tells their very own and special history and touches Glorfindel’s motives to leave the Blessed Realm behind, and explains what troubles him to such an extent that he fights against the help of the Valar. Can they reconcile and finally forget what had happened between them millennia ago?

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Fingon rescues Maedhros from Thangorodrim, in all its awful detail.

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Fingon rescues Maedhros from Thangorodrim.

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For the International Day of Fanworks: an orc and his grim job.

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In after days historians would forget much about the Dagor Bragollach, and many things were left out of the Quenta Silmarillion, written with the gift of hindsight. But the coming of Celegorm and Curufin to Nargothrond was at first held as the greatest fortune to come to the Noldor out of that battle, for by their aid alone did Orodreth survive the fall of Tol Sirion.

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Maedhros never recovered; he just coped.

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In the age before the sun, new creatures grow and hunt and are hunted in turn. A Maia who chose his own master now chooses a new, more suitable name. (Pictures Included!)

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A study in sentiments over time; a collection of moments surrounding Melkor and Sauron, from the Spring of Arda to the fall of the Third Age. 

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Story by pandemonium_213: The grisly banner having served its purpose, Sauron enlists the assistance of his soldiers and bodyguard to bear Celebrimbor's corpse to its final resting place in the foothills of the Misty Mountains while a snowstorm approaches from the southwest.  

Note:  Descriptions of torture and a deteriorating corpse may be too intense for some readers (roughly equivalent to MPAA R-rating or TV Ratings Mature Audience); some expletive language.  Pandë!versecentric.

Illustrations by Huinárë: Title: 1. "Examining His Work" / 2. "Thundersnow" Pencil illustration / Construction paper collage.  Rating: G

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Once Morwen finally arrives in Doriath to be reunited with her son, she learns that not all of her sacrifices made have been in vain.

Written for Ludovica for Sultry in September 2013.

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Melkor's capture and execution.

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Maedhros’ rescue from Fingon’s perspective, and a slashy but non-explicit encounter between the two of them about a year later. 

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The life story of a certain fallen Maia, told from his perspective. Dark, or rather will be.

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Sauron was not always wholly evil, and after he was freed from Morgoth, he turned from the darkness for a while. But meeting a wandering minstrel proves too much for his newfound convictions, and leaves Maglor in grave danger. Written for Iavalir at My Slashy Valentine 2013.

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Finrod and his werewolf

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They were all children once, and played as children do. Cousins played games with cousins without the undercurrents of discontent between their fathers ruining the golden days spent in their grandfather's garden. There were secrets, though, even then but they did not care about them.

Of course those days are as dead as that much beloved grandfather and Finrod barely thinks of the time he was little Finda in a child's frock, clinging to Tyelkormo's skirt with Carnistir's hand stuck to his, as they braved the "wilderness" of Míriel's garden.

It seems though that there are some final lessons to be learnt, some final games to be played and a secret or two to discover that should have been left alone. 

In Nargothrond Finrod Felagund is both the unwitting architect and witness to the final, dying gasp of Fëanorian innocence.

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Gelmir, on his way to the incident that shall spark the Nirnaeth Arnoediad, reflects on the circumstances that brought him to this point. 

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Wherein a denizen of Utumno is roped into a peculiar project, the repercussions of which are inescapable.

**Update! Ch 9.

Of refugees and trees.

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Or an account of the battle in the forest of Brethil as seen by Beleg Cúthalion, told in two parts.

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