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“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On the other side of it was a larger party than Maglor had ever seen in Lórien—five figures sitting in the grass. Huan barked again, and they all looked up. “It seems everyone has come to fetch us home,” Maedhros said, laughing, as all their brothers scrambled to their feet.

After years in Lórien, Maglor and Maedhros are ready to return to their family and to make something new with their lives--but to move forward, all of Fëanor's sons must decide how, or if, they can ever reconcile with their father.

In the Time of the Trees, during the Bliss of Valinor, the young family of Fëanor experience the everyday triumphs and tragedies of life in paradise. But as Fëanor's genius blossoms and his sons grow into their roles in Tirion society, tensions build that will sunder the House of Finwë and drive the House of Fëanor to open rebellion.

Completed!

Lúthien, a woman who has spent her entire existence being acted upon — desired, directed, possessed, mourned, celebrated, but never truly seen — reaches the end of her borrowed life and discovers that death is not an ending but the first free choice she has ever been permitted to make.
 

Banner made for the series by Lingwiloke (Fandom Stocking 2016)

The main story arc of this series goes from just after the rescue from Thangorodrim to Maedhros's death. However, the narrative is not strictly chronological - there are flashbacks, flashforwards and recounted memories. These span from Maedhros's childhood in Tirion to his release from Mandos just before the end of Arda. The individual stories are told from different points of view: Maedhros himself, Fingon, Maglor and Elrond. Although the upshot of the series is that it is pretty tough being doomed all the time, some bits are a lot more gloomy than others. All the dialogue was even wittier before being clumsily translated from Quenya. Considering the subject matter, very little blood and gore (I think). The ratings and warnings for individual sections differ greatly from the overall rating: see the individual stories.

ETA: Since I wrote this description of the series, it has snowballed in all directions. I feel that the description ought to be revised, but it is difficult to know exactly how to tweak it. You may wish to compare the more recent description of the series (with notes) on AO3: http://archiveofourown.org/series/36091

Other links that might be helpful are these: a fragmentary timeline (https://hhimring.dreamwidth.org/61360.html), and a listing of original characters: http://hhimring.dreamwidth.org/69187.html (both on my Dreamwidth journal)

Illustrations to the series by Alasse now separately posted on AO3: https://archiveofourown.org/works/20456276/chapters/48536480