New Challenge: Allusive
Literature and art constantly refer back to each other using allusions, and this month's prompts are inspired by allusions to literature, myth, art, and history.

At an early age, Curufin shows a natural aptitude for his father's arts.

Maglor's foster sons learn about the meaning of the new star from the last two Sons of Fëanor.

Curufin escapes to the realms of fantasy to escape the pressures of his family and discovers the thrill of first love.

Latest addition: "The Boy My Daughter Married," (featuring Curufin’s mother-in-law, Curufin/OFC, and a blink-and-you-will-miss-it reference to Celebrimbor).
Chapters are added within chronological order of the events.
A series of drabbles/ficlets: seeds of stories based upon characters and events from the Silmarillion. The title of the collection is taken from a line in a poem by Edna St. Vincent Millay, because it reminded me of the exiled Noldor, particularly, although not exclusively, the sons of Feanor:
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends--
It gives a lovely light!

Curufin looks to his father as the swan ships leave Alqualondë.

This story looks at Fingolfin's last stand and his motivation for challanging Morgoth to single combat.

A drabble on the death of Caranthir Fëanorion.

Lost in grief over her husband and sons, Nerdanel begins to construct statues to ease her loneliness. Discovered in her pursuit by Eärwen, Nerdanel's exceptional skill might be used to offer some consolation to the Teleri.

Shortly after his death, Fëanor discovers in the halls of Mandos the tapestries his mother has woven about his life. Seen through Míriel's eyes, the tapestries look back at the time from the kinslaying at Alqualondë, to the Fëanorians' arrival in Middle-earth, to his untimely death at the hands of the Balrogs. Fëanor is faced with both the weight of his deeds, as seen through another's eyes, and his contributions to the Noldor.

Nerdanel's life told as the lessons she has learned, in a series of eight double drabbles. Written for a birthday challenge for allie_meril, who asked for stories about students.

In Aman, an unexpected friendship forms between Caranthir, the misunderstood son of Fëanor, and Rúmil, the Noldorin loremaster who survived the dungeons of Utumno. The two see each other as others cannot, but their friendship is tested when the Darkening of Valinor leads to a string of atrocities that try both their spirits.

Celegorm fell first at Doriath and heard not the call of Mandos. He watches his two brothers fall in turn, and then his spirit finds two children in the forest, where he will realize his final purpose.

Maglor is charged with an impossible task: to write a song for Fëanor's hundredth begetting day. Initially, he refuses, but his memories of Fëanor and their tulmultuous relationship eventually inspires him to the impossible and his greatest accomplishment yet as a musician.

On the eve that Fëanor presents the Silmarils to his family, Fingolfin mourns for the inadequacy of his own accomplishments. Comforted by his sister Lalwen, he recalls the comic puppet shows that she put on as a girl, that reduced the overlarge presences in her life to decorated socks. From Lalwen and his memories of her, Fingolfin learns much about managing his anger toward Fëanor and his own sense of duty.

Once, in the blissful years in Valinor, Celegorm and Curufin loved the same woman. On the eve of the Winter Festival, Curufin makes an exchange with Celegorm that leaves him with the woman who will become his wife, but Celegorm is left wanting. Many years later, on the long march to Middle-earth, Celegorm finally finds joy in his half of the bargain.

Long ago in Aman, Finwë told his young grandsons the legends of Cuiviénen, hoping that the lessons learned by the Elves in Middle-earth would guide them morally. Many centuries later, in Middle-earth, the sons of Fëanor have lost sight of those lessons, but the rising of a new star suggests all hope is not lost.