Fanworks Tagged with Eöl

Two years after Eöl's death, Maeglin reflects, and Rog tries to be supportive.

For Scribbles and Drabbles Slide 25 Maeglin looks over Caragdûr by Myrtaceaae

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In a happier universe Aredhel slips away from Nan Elmoth earlier with her little twilight child in tow. Eöl never catches them. Safe in Himlad, surrounded by family and lavished with love, Maeglin cuddles up to Celegorm one moonlit night as he tells him the story of Tilion the Hunter.

Written for Scribbles & Drabbles 2025 Art Prompt #174: Cuddle Pile in a happier universe by Fiamma Galathon. You can find this absolutely gorgeous artwork here.

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Living in Menegroth, Maeglin is summoned home by his father's wife to visit him. Eöl has never been the same since Aredhel's death in childbirth many years ago, and his mental state may be poisoning the very forest around him.

But for the first time, Maeglin does not have to go alone.
 

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The enchantments woven into the woods of Nan Emloth are nothing compared to maternal love.

And so, Aredhel grabs Lómion and runs.

The enchantments woven into the woods of Nan Emloth are nothing compared to the grief of knowing you could had saved your loved one.

And so, Celegorm waits.

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A short and very personal essay that is a mix of defense-of-genre-fiction and processing my relationship with my dad.  Not intended to tell anyone else how to feel about the fiction they consume, just trying to sort myself out.

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A nameless, kinless messenger brings terrible news about the newly arrived Noldor that is slowly poisoning the Doriathrim against their kin. Thingol must drag the truth into light before Morgoth's machinations further sunder the Eldar from each other.

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Some drabbles from the 1/19/2025 instabrabbling event 

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Every morning, I leave you; every evening, you bring me back. An endless game—until the day it is not.

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A short comic for the Sept-Oct 2024 Idiomatic challenge. The stifling environment of Eöl’s “dim halls, silent and secret” contrasts with young Maeglin’s idealized vision of Gondolin as a divine, sunlit paradise, home to the godlike Noldor. 

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A series of acrostics based on the letters provided in the Tengwar challenge, telling the story of one enterprising Telerin merchant.

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Maeglin witnesses a coming-of-age ceremony among the Dwarves of Belegost. Written for the Hungarian Tolkien Society's 2024 Mailing Competition.

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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.

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Matryoshka inspired art for the Meet & Greet Challenge

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A close friend of Lómion's has gone missing, and a dark creature stalks the forests of his home.  When he is summoned by Nan Elmoth itself, Lómion will have to draw upon all the powers he possesses to get himself and his friend home again.

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No, it is not.” Eöl clearly did not agree. Beleg had never seen him looking so miserable,

The comet-ore was so precious; Thingol knew it, that was why he had named it as his prize.

“It is not ready yet, Cúthalion. Return in a moon’s turn, and I will have it for you.”

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Beleg, Mablung and Eöl - and Anglachel.

For @sindarweek 2023 - Day 1: Heroes & Villains

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Celegorm took the javelin from the beast, examining it. He ran his finger over the blade, where the poison glistened in the sunlight, then sniffed his finger. His gaze flicked up to Eöl’s. Eöl thought to see anger or triumph flicker in the Elf-lord’s eyes, but they were cold and impassive, and when he spoke, his voice was deadly quiet. “I wonder: Who was this meant for—your wife, or your son?”

Eöl felt the blood drain from his face, and he reached for the hilt of his sword.

Curufin is not the only son of Fëanor Eöl meets upon the plains of Himlad.

Or, Eöl meets Celegorm while pursuing Aredhel and Maeglin, and things go very badly for him.

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Written for the Major Arcana Monthly Challenge. I was randomly assigned the Hermit card. An exploration of how Eöl came to be alone in Nan Elmoth, removed from elvish society.

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The White Lady of the Noldor, seen by some of those who loved her best.

(Podfic of a triple drabble by Melesta)

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Eöl is ill-at-ease after an encounter with the first Elf to elude his piercing mind. That there is much to link him and Curufin, including their shared craft, a friendship with the Dwarves, and the fact he carries a knife made of Eöl's metal, only unsettles - and allures - him all the more.

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None came there–but the breath that filled the pipes wailing through the air was as real as his own, which he now inhaled in shallow gasps.

Lómion is drawn by a haunting music in the depths of Nan Elmoth.

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Chroniclers will claim--above all else--that Maeglin left Nan Elmoth for desire of lordship alone. While we all know how the story ends, before that there was more: a mother and her son and a dark dark wood; three lives and three deaths, and the dazzling sunlight in between. This story is a portrait of the why behind the flight: family violence and a woman under siege, a child grown to adulthood in lonely darkness, learning to fight with only the tools provided him. It is a tale of childhood nightmares maturing into something more--manipulated by heart-darkened fathers and gently used by desperate mothers--until living becomes surviving and reality is a dream...

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I would like to share my revelations of Tolkien's Universe in the form of narrative and emotional poems.

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A set of three tales covering the life of that darkest of Elves, Maeglin

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Aredhel runs into trouble after leaving Gondolin. Luckily, she is prepared. The Walking Dead fusion/zombie AU.

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Just a collection of stories about my favorite characters/ships in Silmarillion

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