New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.

Maedhros and Maglor reunite at the end of times - or almost.

As Gondolin burns, Salgant—ever an artist—chooses his fate.

A lost young woman comes to Alqualondë with tales of pity and wonder, bringing hope, heartbreak, and most unexpectedly, the beginnings of healing.

A place to store short stories, ficlets and challenge responses that don't really warrant being archived on their own.
Newly Added: "The Good and the Bad". Young Aragorn discusses Noldorin history with Erestor.

A collection of drabbles found in the ruins of Utumno during the years of Melkor's captivity, written for various
tolkien_weekly challenges. I am greatly indebted to the ever-awesome
ignoblebard, who very generously nominated this series for MEFA 2011, thereby spurring me to get on with actually writing it. ♥
6. After the Manner: Orcs, one drabble.

Fingon braces himself to defy Namo for the sake of his love of Maedhros, but it turns out to be strangely unnecessary. Ages later in Tirion, there is a rather more dramatic confrontation, when Fingolfin finally suspects the reason why Fingon has immured himself in his house with the cousin he has recently retrieved from Lorien.
Mature Themes: Maedhros is gradually regaining his sanity under Fingon's care.
Nominated for the MEFAs 2011. Thank you very much, Lyra!

When mortal fishermen rescue a half-drowned elf-man from the northern sea, Elrond's help is requested. Elrond travels to the village of Mousehole, hard against Lindon's northern border, to find the recovering survivor who tells Elrond of his background and his mission, which promises to bring the innovations and wonders of Aman to Lindon. Elrond is intrigued as he attempts to discover just who this mysterious fellow is.
MEFA 2011 Winner. First Place, Second Age and Early Third Age, General

In Valinor, Nerdanel sculpts, Anaire teaches lore, Finarfin regrets, Idril claims her birthright, and the world changes.

"Memories"
The childhood of Elrond and Elros, beginning with the attack on the Havens and ending with the events depicted in Part I.

Tata was said to be the first of the Noldor to awaken at Cuivienen, yet the histories never speak of him again. Uncomfortable and indecisive as a leader, he nonetheless rejects the summons of the Valar to Valinor, recognizing a fundamental wrong in the ideas they preach. This is the story of his life. 2011 MEFA nominee.

During the preparations for the War of Wrath, a recently restored Glorfindel and his father come to a better understanding of what transpired for them both since the rebellion of the Noldor.

Eldar and Avari meet for the first time in the forest and discover similarities among their differences.

Sauron has become Ar-Pharazôn's most trusted advisor, but it is not an easy job even for a cunning Maia. An unknown intruder in the palace gardens, however, enables him to set some of his more ambitious plans in motion...

After his rescue from Thangorodrim, Feanor's eldest dreams of the kinslaying at Alqualondë.

Glorfindel meets his fate at Cristhorn.

An elusive presence haunts Celegorm on a solitary hunting trip and lures him from his path into a mystery-ridden chase where it is unclear if the son of Fëanor is hunter or prey…
Silmarillion-verse, set many years before the Dagor Bragollach.
Rating not necessarily for all chapters but for some explicit parts.

While leading his tribe into the deep desert to escape the inevitable war between the Zigûr and the Sea-kings, Sharif finds a woman — injured and unconscious — among the rocks. He discovers this is not a mortal woman, but one of the immortal demons of the north. He is ready to kill her, but the tribe's priestess stays his hand, warning him that slaying the jinn would bring terrible misfortune to his tribe. His wives care for the jinn, who recovers and aids the tribe as they journey to the East in search of a mysterious land where they hope to find sanctuary, the jinn no less than Sharif and his tribe as they flee from the Zigûr and the Sea-Kings.

Poem (or song lyrics) for two voices. Well, Fingon and Maedhros, obviously.
For International Poetry Month.

After the Battle of Sirion, the children Elured and Elurin are taken to the forest and abandoned. The guilt weighs heavy on Maedhros, and he cannot rest until he finds them.
Rated teens for general mature themes, and for violence. Character deaths: those of Celegorm, Caranthir and Curufin are referred to and the deaths of Elured and Elurin implied.

A bit of pillow-talk between Maedhros and Fingon, framing memories of Araman, the Helcaraxe and Mithrim.
Fingon has to struggle to re-define himself twice, once when he learns what was really going on at Alqualonde, the second time when he realizes that their deepening love means that Maedhros and he have become mutually irreplaceable to each other and what that might entail. Each time, Maedhros turns out to be part of the solution as well as part of the problem.
P.S. In the last update I changed the title, summary and notes. No changes to story.

Cabbages, because they are almost entirely unlike Silmarils...
Maedhros has been rescued from Angband by Fingon and has handed over the crown to Fingolfin. He recovers from his ordeals (more or less), sorts out things with his relatives (not quite), and departs with his brothers for points east. Later, after the Dagor Bragollach, he reviews the situation, considers giving up the struggle (not really), and is badly shaken by a presentiment of the Nirnaeth Arnoediad.
Romance (Maedhros/Fingon) and in part a prequel to "Looking at the Stars", but also about Maedhros's relationship with Maglor, the "shadow of pain", etc.
Minor warnings: Non-graphic references to torture and swearing. Non-graphic descriptions of insanity and vomiting. Brief references to prayer.

A collection of drabbles, mostly written for the LJ comm Tolkien_Weekly. Some of these drabbles received awards in MEFA 2010; see inside for details.
10. Good as New. Glorfindel, his father and a piece of the past. One drabble.

Left behind by Finrod, Amárië considers the paradox of her situation: her wish for his return and the only means by which her wish would be granted. A sonnet.