New and Updated Writing

Maglor has given his family everything, but he will not give them his death. But he cannot sea-wander forever, and he finds peace in the East.

Fëanáro is reembodied as the Fourth Age of the Sun commences, and he has to deal with several things. But there's one thing he cannot quite manage to fix. That is, his relationship with his wife.

Or: five (but more like six) times Nerdanel doesn't reach out, and one time she does.

Nerdanel and Tinweriel stargaze together and have a lovely little evening.

for the prompt "i'll be the man my father never was" for any trans son of feanor

Years after the death of her wife, Hemmoril shares a sweet Yule evening with an Easterling Woman.

The Gap falls. Hemmoril and Maglor try to cope, with varying success.

Hemmoril, Maglor's best friend and horsemaster, says a quick goodbye to her wife as the Dagor Bragollach looms.

Hemmoril, Maglor's master of horses, has struck up a tenuous friendship with a new ex-thrall in Himring.  He invites her to come to the tea gardens where he works to taste a new blend based on some flowers she harvested for him.  

Elros and Elrond enact their plan to escape from their kidnappers and find allies along the way. Reunions are made in the dense forest of southernmost Ossiriand, just not the ones that were expected.

Idril and Meleth (my OC) welcome Finduilas, Niënor, and other refugees into Havens after the Fall of Doriath, hoping they can start anew there. Finduilas's daughter is distraught about the situation. Also, how did Finduilas and Niënor make it to the Havens after the Fall of Doriath?

Part fandom-commentary and part literary-critical reading, this essay considers the interpretive ease with which Elrond’s “kindness” is conflated with moral coherence, particularly when it comes to treating his affective attachments to the Fëanorians and/or Elwing and Eärendil as absolute ethical verdicts. Drawing on affect theory, trauma theory and adaptation analysis, I explore a way to read Elrond’s kindness as a cultivated practice which is not incapable of bias or harm. By reframing Elrond as a figure whose kindness arises from ambivalence rather than moral certitude, I try to offer a perspective that considers how 'virtue' is not an innate or fixed quality but one shaped by violence, grief, loss and the structural constraints of doctrine.

Ñolofinwë makes a pained noise and pulls back enough to look him in the face, before his eyes seem to get caught on Fëanáro’s collar, on his chest, his shoulders. “You are in my colors,” Ñolofinwë says softly, traces his finger along Fëanáro’s collarbone and down the front of his tunic. His eyes, when they meet Fëanáro’s once more, are blown out with a disgusting, greedy desire, and understanding strikes Fëanáro.

“Oh,” he breathes, thinking that he should likely have guessed at the reason on his own. He had anticipated that the outfit would garner a reaction from Ñolofinwë, this is true. He cannot say that this was ever one of the reactions he had anticipated. “How shameful of you,” he says quietly, watching the way Ñolofinwë’s eyes drop down to his mouth as he speaks. “Does it not shame you that you should want me in such a way?”

Celebrian has a few demands for her wedding

About the Battle of Unnumbered Tears.

Beleg seeks, by all means that he might, to persuade Túrin to return to Doriath with him. But two can play at this game.

In Valinor, little Tyelpë wakes up from a scary dream and braves the shadows to find his Atto, who will keep him safe from any monsters lurking in the dark.

(Inspired by a cut snippet from chapter 3 of my fic "but for the look in his eyes". It's not necessary to read that before reading this, however.)

He knows that he’s supposed to say, if he’d known what would happen, he wouldn’t have done it. That he wouldn’t have paced through the halls, watching the tapestries appear, and seen his brother poised in front of Morgoth, preparing to fight, preparing to die, and gone a bit mad with grief.

He knows he should say he would not again go find a tapestry of where it all went irrevocably wrong and begin shredding it apart.

But he is suddenly standing in the middle of the library, treelight dancing through the windows, and staring at him with open mouthed shock is Ñolofinwë. So no, he finds he does not regret it at all.

Fëanáro thinks of many things during his exile for he has nothing but time and a chest full of fury.

He thinks of his hatred for Melkor. He thinks of his children and the toil the exile is taking on them even if they will not voice it. He thinks of his father and the disappointment he’d just barely been able to see hidden beneath the concern. He thinks of Nerdanel and cannot help but wonder if she saw this coming. More often than not though, he finds his thoughts dwelling on Ñolofinwë.

On how wide and endlessly blue his eyes had gone when Fëanáro had set the point of the sword to his throat.

One set of twins meets another. A tragic start to the kidnap family, from Amrod's point of view.

A Noldo follower of Fëanor laments the First Kinslaying and the Flight of the Noldor

Adaptation of the lyrics of a German song to the Legendarium: Zogen einst fünf wilde Schwäne. (With English translation).