Chasing Mirages by Russandol

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Fanwork Notes

Chasing Mirages

 

“Of old there was Sauron the Maia, whom the Sindar in Beleriand named Gorthaur. In the beginning of Arda Melkor seduced him to his allegiance, and he became the greatest and most trusted of the servants of the Enemy, and the most perilous, for he could assume many forms, and for long if he willed he could still appear noble and beautiful, so as to deceive all but the most wary.

When Thangorodrim was broken and Morgoth overthrown, Sauron put on his fair hue again and did obeisance to Eönwë the herald of Manwë, and abjured all his evil deeds. And some hold that this was not at first falsely done, but that Sauron in truth repented, if only out of fear, being dismayed by the fall of Morgoth and the great wrath of the Lords of the West. But it was not within the power of Eönwë to pardon those of his own order, and he commanded Sauron to return to Aman and there receive the judgement of Manwë. Then Sauron was ashamed, and he was unwilling to return in humiliation and to receive from the Valar a sentence, it might be, of long servitude in proof of his good faith; for under Morgoth his power had been great. Therefore when Eönwë departed he hid himself in Middle-earth; and he fell back into evil, for the bonds that Morgoth had laid upon him were very strong.”

“Of The Rings of Power and The Third Age”, The Silmarillion, J.R.R Tolkien

 

Warning: This tale describes a m/m relationship including sexual content and D/S themes. Please heed the overall story warnings.

Translations, quotes, etc. are provided at the end of each chapter, but generally only the first time a new term appears in the story. A list of characters, place names and glossary is also available in Appendix B.

Acknowledgements: I wish to thank elfscribe for her patient and insightful beta reading and unflagging support and to pandemonium_213 for encouraging me along from the very first draft long before I began posting, as well as for providing fabulous feedback. Thanks are due also to a bunch of folk at the Lizard Council (that is, kymahalei, elfscribe, erulisse, oshun, aearwen, surgicalsteel, Scarlet, pandemonium, Darth Fingon, Elf of cave, kimberleighe, vanime18431, dracoena, DrummerWench, grey gazania, Spiced Wine, sanna, lilithlessfair, alassante, crowdaughter, elleth and windsurfbabe. I hope I haven’t forgotten anyone!) who have commented and nit picked for many months. Special mention goes to SurgicalSteel for expert advice on injuries caused by different types of weapons and to Darth Fingon for help with both Quenya and Sindarin names.

All remaining errors are my own!

My vision of Sauron as a far more complex character than a villainous Dark Lord has no doubt been strongly influenced by the amazing The Apprentice by pandemonium_213 where she describes his clever seduction of the elves of Ost-in-Edhil using the arcane knowledge he possesses, and by the gripping tale Elegy for Númenor by elfscribe, where Annatar is superbly presented as a master manipulator, giving it all to the task of beguiling Ar-Pharazôn. These are two of the works that irreversibly hooked me into the Silmarillion fandom. For a little crossover to this latter novel, here's the link to my story Hospitality.

And here's two wonderful portraits of Eönwë, on the left, in the distant land of Kiinlúum, by Lyra, and on the right, by Alasse:

Eonwe, by Lyra Eönwë, by Alasse

 

Thanks, pandemonium_213, for the SWG 5th Birthday icon to Eönwë. He is most grateful for your encouragement...

You Made Me Love You (I didn't want to do it)

 

Disclaimer: Yes, Tolkien owns his characters, though often I dream they are mine... When the dream is over, they go back to their lives.

I make no money from them but then, most of the best things in life are free. All I'd dare ask is that if my stories entertain you, let me know by leaving a review.

 

Fanwork Information

Summary:

The story of Eönwë, Maia of Manwë, and Mairon Aulendil after the War of Wrath. A tale of darkness, light, love and betrayal over the Ages of Eä.

Tolkien simply told us that [Sauron] fell back into evil, for the bonds that Morgoth had laid upon him were very strong. But this line is unsatisfactory on so many levels that it became a challenge to create a plausible background story for Sauron's fall, from the time Eönwë returns to Aman to face the Valar over his decision to free one of Morgoth's most dreaded minions to Sauron's final fate, long after the destruction of the Ring.

Chasing Mirages banner

B2MeM 2011 and 2012 participant 

MEFA 2011 1st Place - Incomplete: Drama & Smaug's Treasure (but complete since then!)

 

Major Characters: Original Character(s), Anárion, Celebrimbor, Elrond, Eönwë, Erestor, Finarfin, Gil-galad, Glorfindel, Maglor, Mandos, Manwë, Melian, Sauron

Major Relationships:

Artwork Type: No artwork type listed

Genre: Adventure, Drama, Slash/Femslash

Challenges: B2MeM 2011, B2MeM 2012, Fifth Birthday Celebration

Rating: Adult

Warnings: Character Death, Expletive Language, Mature Themes, Rape/Nonconsensual Sex, Sexual Content (Graphic), Torture, Violence (Graphic)

This fanwork belongs to the series

Chapters: 40 Word Count: 174, 416
Posted on 12 July 2010 Updated on 23 April 2023

This fanwork is complete.

Table of Contents

Eönwë, Herald of Manwë, returns to Aman after the War of Wrath.

 

Please note that translations for elvish terms (or words from other languages, as the story progresses) are usually listed at the end of each chapter and in the Appendix B. List of Characters, Place Names and Other Terms.

 

Eönwë sails to Middle-earth.

 

Eönwë arrives at his destination and meets the foe he's been commanded to seek.

 

Eönwë settles in Kiinlúum, a far realm of the East of Middle-earth.

 

Mairon drops the bait, and Eönwë... well, read at your own peril if you wish to find out.

 

Eönwë asks a favour from Mairon. Unfortunately for him, events do not work out as planned.

 

Eönwë and Mairon become more intimately acquainted.

 

The day after, Eönwë asks many questions, and Mairon provides answers.

 

Eönwë visits Mairon in his workshop and they strike a deal.

 

The years go by, Eönwë receives a present and Mairon another alias!

 

Eönwë makes a dreadful mistake and must pay the price.

 

Eönwë is summoned by the king and learns the whole truth.

 

Eönwë gets his... revenge?

 

Eönwë finds a new balance in his life in Kiinlúum.

 

Eönwë has to deal with the passing of Time.

This chapter fits two prompts of B2MeM 2011.

Valinor Passport Stamp B2MeM 2011Rivendell Passport Stamp B2MeM 2011

Eönwë proves his faith in his former foe.

This chapter fits three prompts of B2MeM 2011.

Nan Elmoth Passport Stamp B2MeM 2011Mithrim Passport Stamp B2MeM 2011Bree-lands Passport Stamp B2MeM 2011

Eönwë's bliss is shadowed by foresight. What will prevail: fate or free will?

 

A summons is issued, Eönwë makes a decision and Mairon... well, Mairon surprises Eönwë.

This chapter fits two of the prompts of B2MeM 2011.

Losgar Passport Stamp B2MeM 2011Nargothrond Passport Stamp

War escalates in Kiinlúum. Mairon and Eönwë play their parts.

Thank you to wonderful SurgicalSteel, who provided expert medical advice for the relevant portions of this chapter.

 

Eönwë faces the Doomsman of the Valar.

This chapter fits a prompt of B2MeM 2011.

Mordor Passport Stamp B2MeM 2011

Eönwë returns to Middle-earth.

 

Eönwë gets into trouble in Lindon.

 

A big thank you to Darth Fingon for his theory about the etymology of a particular obscure term.

 

Following Elrond's revelation, Eönwë stays in Lindon.

 

Eönwë and Elrond get to know each other over the years.

 

Elrond surprises Eönwë; years later, he has visitors.

 

Ereinion makes kingly decisions; a couple of centuries later, Eönwë receives exciting news.

 

Eönwë answers Mairon’s message.

 

Annatar talks about ships and wings; Mairon gets jealous.

 

Elrond decides it is time to travel back to Lindon.

 

Eönwë receives a message from Mairon, and Gil-galad from Celebrimbor.

 

Sauron shows his Dark Lord’s colours.

 

This chapter fits several B2MeM 2012 prompts:

Controversial - I22: Fate: Free Will or Preordained?
This Means War! - O67: Sauron vs. Celebrimbor

B2MeM 21012 Participant

 

Shattered dreams, lies and more...

 

This chapter fits several B2MeM 2012 prompts:

Discoveries - B4: The Rings of Power
Emotions - B9: Love, B14: Pain, I18: Grief, N33: Courage and G51: Cruelty

B2MeM 2012 Participant

 

After the events of Ost-in-Edhil, life goes on.

Thank you, elfscribe, for permission to do the little crossovers with Elegy.

 

This chapter fits one B2MeM 2012 prompt:

Emotions - O64: Horror

B2MeM 21012 Participant

 

Following an unlikely victory, a new age begins; darkness grows again slowly until it hits home.

 

This chapter fits the following B2MeM 2012 prompts:

Artifacts & Weapons - B7: Narsil
Powers & Underpowers - B7: Irmo (Lórien): nightmare
This Means War! - N41: Sauron vs. Isildur
Weapons & Warfare - I27: Mace
Archery in Arda - B6: Wood elves of Mirkwood
Emotions - G59: Hope

B2MeM 21012 Participant

 

Erestor is not happy about the decision to send Frodo to destroy the Ring in the fires of Orodruin. Eönwë makes plans.

 

Special thanks to SurgicalSteel for her invaluable advice on knife injuries.

 

This chapter fits the following B2MeM 2012 prompt:

Discoveries - G51: Songs of Power

B2MeM 21012 Participant

 

The two ages of Eönwë’s banishment come to an end.

 

This chapter fits the following B2MeM 2012 prompts:

Emotions - B1: Joy
Emotions - I21: Awe

B2MeM 21012 Participant

 

Eönwë travels to Ithilien, before paying another visit to the Moritarnon.

 

This chapter fits the following B2MeM 2012 prompts:

Controversial Topics - O72: Do Balrogs have wings?
Powers and Underpowers - B15: Námo (Mandos): fear of the dead/ghost

B2MeM 21012 Participant

 

Eönwë stands again before Manwë, and a doom is spoken (aka “all you ever wanted to tell Manwë and Námo to their faces but never dared to.”) This story finally reaches the end... for now.

A diamond-encrusted gold medal goes to elfscribe, who betaed this chapter twice in full and many other times in portions, because I tweaked and tweaked and kept tweaking. Thank you so much, my dear. You’ve made it all possible.

Thank you also to the bunch of assorted reptilians at the Lizard Council who encouraged me, offered great advice and feedback, and gorged on nits over the two years it’s taken me to travel this journey.

 

This chapter fits the following B2MeM 2012 prompt:

Controversial Topics - B7: Nothing is evil in the beginning...

B2MeM 21012 Participant

 

Entries in italics are described or listed in at least one of the Tolkien canon sources given below.

Dates are given as “year, age” and may differ in some cases from those listed in the “Tale of Years” in The Lord of the Rings, if the events have followed the version described in Unfinished Tales or The History of Middle-earth.

Warning: it may contain mild spoilers!

 

This story takes place in a variety of settings, spanning several ages of Arda. Inevitably, an assortment of terms and names from several languages has made its way into the tale.

For consistency I have assumed all along that Eönwë speaks Quenya in his inner narrative, even if he is likely to be addressing someone in a different language, like Sindarin, during a particular scene.

For Yucatec, on which the invented language of Kiinlúum is based, I have relied on the “Diccionario español - maya en línea” to find words, some of which I have used without modification, while in other cases I have adapted them or combined them to create my own names or terms.

 


Comments

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And now even humans feel sorry for our naïve Maia! I wonder whether Mairon realizes how far he's pushed Eönwë: he seems to have confused the vow of "eternal" love with one of "unconditional" love, and they are not quite the same thing (or shouldn't be, if you're dealing with Sauron!)

Interesting, too, how the relationship between Chakmóol and Eönwë has changed over time, as they are both drawn further into Mairon's sway.

Poor Nikteháa: this is certainly not something that she should have seen, and I suspect that there will be repercussions there as well....

Mmm, you'll have to wait and see, I'm afraid.

The relationship has evolved, as all relationships do, and has touched the three of them in different ways. Eönwë and Chakmóol are certainly more willing to obey Mairon's demands. The key difference this time is that for Eönwë this was not a game. It wasn't so much the physical pain that hurt him, but Mairon's deception, the betrayal he perceives.

And the princess... yes, there will be repercusions all round. ;o)

Thanks a lot for your comments, Ebbingnight, they are a wonderful encouragement to keep going. I'm very, very happy that you are enjoying the story, and hope to be able to keep you reading until the end!

Great! The story summary talks about love and betrayal, light and dark. There's some rollercoasters along the way and I hope you enjoy them all. And about Mairon=Sauron, maybe even a villain can have a little respite... Thanks for your reading, and for your review, ebbingnight!

I think my favourite in this chapter was Nikteháa, she's very wise. How do you do it? You made me go from hoping Eönwë gave Mairon hell for what he did to hoping he'd forgive Mairon, all in the span of a few paragraphs. Now I’m hoping Eönwë doesn’t forget who he’s dealing with so he won’t end up hurt too much.

Yes, I like her too, knowing better than to start getting herself into a messy situation, and still gets to have some fun. And about the love-hate between the two Maiar, that's real life, but I'm very happy you liked it. It took me months to write this chapter. About forgetting who Mairon/Sauron is, he knows him well by now, but... I hope you enjoy the next few chapters, because I'm not saying anything, he,he... Thanks for reviewing, Alasse!

 

An, my dear Ebbingnight, I am glad I am intriguing you. Believe me, there are many things in store for our intrepid Eönwë. Let's say that they have found a sort of balance for a while, and let them enjoy it... while it lasts.

Glad to see you are still reading, and thank you very much for dropping me a note about your doubts. The next chapter is being nitpicked; I'm not sure I'll manage to post it before Easter, we'll see...

 

Excellent read as always.  With your fine world-building, I'm transported to an exotic land in the East of a secondary world.  Your lush descriptions make this tertiary world of a secondary world unfold like an extravagant film. 

"Time" is a softer interlude (and this is necessary, I think), and allows us get a glimpse of the complexity of your Mairon (a complexity which I most heartily approve ;^)).   Eönwë's voice remains consistent and strong and poignant, too, especially that last scene.  Mairon's world-weary words at the end of the chapter are touching. 

Ah, Pandë, I am flattered! The "extravagant film" effect is what I've been after all along, with leopards as pet cats, green feathers, orange trees, god-kings and rituals, some of which would influence later versions of Mairon aka Annatar aka Sauron. I'm extremely pleased that you keep enjoying my "why-did-the-dark-lord-do-the things-he did" musings. I know we have discussed villains at length, but the fact that you and your DM approve of my Mairon is high praise indeed. 

Mairon keeps going because he's given no choice. Like all immortals, including Eönwë, he sometimes wishes it could all come to an end.  So do I, in a different context! Believe me, I never realised what I was getting myself into when I came to you and asked what you thought of my bizarre story plot, now turned into this monster...

Thanks for your wonderful review and for your unflagging support in this venture! 

 

As you are obviously toying with the reader's reactions here, you will not be surprised to hear that Eönwë's continued "enthrallment" by Mairon has me both exasperated (Eönwë, what on Arda do you think Manwë would think of your willing participation in role-playing "games" such as this with the enemy you were sent to bring back to justice!) and entertained (the glider is a brilliant demonstration both of Mairon's craftsmanship and his real affection for someone who has had to give up the joy of flying along with everything else.) I hated the deliberately brutal use of the Angainor "replica" and loved the "never a bat moment" conversation--- but I can hear the clock ticking (though, not of course, as loudly as in the last chapter) for them. Will Mairon tire of having only Eönwë completely under his mastery and move on to other conquests? Or will Eönwë realize that this can't go on?

Or something else entirely?

I'm glad that this chapter has provoked strong reactions. You loved, you hated, you were exasperated and entertained, in your own words. I only hope that I haven't stepped too far, that your "hate" is about the brutality of Mairon in the scene and not the actual story. In his defence, Mairon's own enjoyment comes from watching Eonwe submit his will even when he makes demands that really push his boundaries. For that reason Mairon is absolutely delighted that "Varda" is so compliant. From Eonwe's POV, though he feels absolute panic and later he is cringing with embarrassment, he wants to please Mairon now that he is confident that Mairon cares for him - and he gets the proof of this regard in the (in my view) very thoughtful gift Mairon makes for him. 

As you say, the clock is ticking and while Eonwe may be willing to go to absurd extremes in the happiness he has found with Mairon we all know this bliss cannot last forever.I'm afraid you are in for the "something else entirely", but I won't say any more.

I'm very grateful for your feedback, ebbingnight. It's great that you take the time to share your thoughts, they help me gauge how this tale is going. 

Thank you very much!

 

This is such a marvelous story with complex characters in a complex relationship set in these early chapters amidst an unusual and original setting, Kinluum, and also dealing with larger issues of fate and free will. 

I love this chapter as Mairon tests Eonwe's faith by asking him to completely put himself in Mairon's hands, not only in their role-playing games (which, as painful as they are for Eonwe, make me smile at Mairon's inventiveness) as well as asking him to literally take a "leap of faith" as they "jump off the cliff" in the hang-glider.  

And what a great characterization of Mairon as a playful inventor and a manipulator, conquering both Eonwe's feelings and the natural world.  

I love your dialogue here and the very appropriate formal feel of the vocabulary. 

And the descriptions of their gliding flight were absolutely poetic.  I was totally up in the air (so to speak) with them.  

Beyond lay the desert, a beautiful sea of rippling patterns of light and shadow that belied the cruelty of its barren sands.

We spent a long time gliding over the area in wide circles, mostly in silence, broken only by the slight groan of our wings and the rustle of our clothes in the wind. The seemingly endless desert lay below, painted in many soft hues all the way to the western horizon. Far beyond the hazy line where the sea of dunes seemingly touched the sky, half a world away, lay the lands from which I had been exiled one yén ago, but I did not miss them any more. As during the days I flew with Lintavailë, I shed tears, but this time they were of joy.

I concur with Eonwe's statement: I had to admire his ability to seduce me, yet again, as you entice me anew with each chapter.

 

 

 

 

My dear elfscribe, I am glowing at your review.

Your praise means the world to me, given the amount of time you kindly spend guiding my steps to learn a craft at which you excel. I wish to be worthy of such a wonderful teacher and beta reader.

This tale has given me the chance to spread my wings further than I had planned at first (it was going to be over in ten chapters, initially, ha, ha!) and building a different world had not been my original intention, when my key concern was the trepidation of writing my first proper slash story. That you find it credible (even allowing for Mairon's theatrics) makes me sigh with happy relief.

Also, I'm pleased that you, of all people, approve of my description of the desert. I've always been fascinated by the beauty of desert landscapes, that may seem empty and stark at first, but they are not.

 

I'm so thrilled that you're my partner in this venture, I can't tell you enough times.

Thank you for everything!

 

Spot on, ebbingnight! We all know how it ends up, unfortunately. But there are still several surprises along the way, you'll see. As to Manwë, I can't just imagine him twiddling his thumbs in Taniquetil, can you?

I'm very pleased that you're still reading this very long WIP. Thank you very much for your review!

If Eonwe thought he would be forgotten by the Valar, he was wrong. Im delighted that you don't like my Manwë, because I meant for him to be disliked. In my version of canon, he may not be evil as Melkor, but he is no fatherly ruler either, or innocent from guilt. This idea was hinted at when I spoke of the Music tainting more or less everyone who sang, in the previous chapter.  

Thanks for reviewing, ebbbingnight. Your company along this long journey is very welcome!

 

 

That dream makes me suspicious. It would seem like manipulation, except we readers know that it came to be true (more or less). So now the question is, did those "prophecies" influence the outcome of things, or were they meant to happen since the beginning? Are the Valar seeing into the future and trying to warn Eonwë for his own good, or are they rather actively trying to bring certain things about? Without the context of Tolkien´s writings one would be scarily tempted to go for #2, but you make an excellent use of the depth of background that those provide, and the resulting ambiguity is very interesting. Now, I am more eager than ever to know what will happen to Eonwë and Mairon (great final scene, btw, when Mairon finally surrenders to trust!), though something tells me we´re all going to need a lot of steel in our veins for that, you as writer and we as readers.

Hi Gadira, you are spot on with the ambiguity. I'm afraid I haven't got the final answer to that philosophical question, but I hint at my own opinion through the events in the story. The Music of the Ainur made into a vision to be fulfilled always smacked of unchangeable fate, except for Men, but I could not quite buy the immutability of the future from the beginning of Time, or the lack of free will. I always wondered what Manwë was aiming for, given the amount of poor decisions he made, and how he was guided. So I believe him to try to fulfil the Music as he perceived it, which may not be the same as how others viewed it, and his knowledge is still imperfect. Let's say that the Valar may be able to extrapolate plausible futures based on what they know, but they may not be accurate, and they may also be missing free will as a factor. So that in the end this deliberate omission may actually lead them down the wrong paths, and even to what they were trying to prevent.

You've made my day that you liked the Eonwë/Mairon scene! That role reversal has been built very slowly but I still felt nervous about it. "Sauron allowed what?"

Thank you very much for sticking to the story, and for reviewing. Yes, steel will be required very soon, because we know, unlike poor Eonweë, how ugly events will turn. I'm about to reach that point in my writing, and you're right, it's hard to shatter all of this. ¡Agárrate fuerte!

 

omg, what an intense chapter!  The cruelty of war. The whole scene with the rider drawing his bow is so well rendered.  I can see and hear it.  And that last sentence really gets me.  I should have known that the peace and bliss Eonwe and Mairon had achieved would not last forever, but this -- wow!  This story continues to take twists and turns that make it fascinating reading. 

Thank you elfscribe! I'm very happy that you think so. I'm worried sometimes that the pace of the story may have slowed down, because I wished to build up that peace and bliss in order to destroy it in a way that would make the reader realise the value of what has been lost and the potential fallout. Not a nice thing to do to Eönwë, I know.  ;o)

Your support along the way is invaluable. Thanks for everything.

 

Ah, I think that now being "released" from what Eönwë once viewed as his punishment (being confined in a hröa on Arda) will be viewed by him as even more punishment. And Manwë must be all too well aware that now he prefers being Mairon's "slave" to being Manwë's "servant." I am guessing that Mairon won't take his lover's loss lightly, either!

Mmm, yes, things have moved on a bit, haven't they. You're right on both accounts. Neither Mairon nor Eönwë will be thrilled with the developments. They have both changed each other too much. 

I hope you're still enjoying the story, ebbingnight, I appreciate your continuous support. Thanks for reviewing!

 

Oh, yes, I very much enjoy this! Candidly, I look forward to each chapter with great anticipation, but I am now dreading the conclusion, especially as you can see that I have become a "convert" to the truth of the bond between Mairon and Eönwë.  However, I suspect that there are still surprises in store for me! :)

Oh, wow! Suddenly things start happening real quick. It was a surprise at first that the threat being built up in the previous episodes had been dealt with so easily, but then you hit us with the treacherous cliffhanger right when we were less expecting it. :P If Eonwë is dead now, I can see what would have embittered Mairon so much. On the other hand, he is your POV character and must be back somehow... right? (Right?)

I loved the part with the worship of Darkness, and how it can be used to rouse people. I can´t help wondering about the nature of the "whispers" that Lotiya hears in her head, though I guess it is a common enough story to think too much about it. Though you *did* speak of "the presences" surrounding Eonwë as he lay dying.

Last but not least, my very favourite scene is when that man drops dead in front of everybody. If that doesn´t convince them that Mairon is dangerous I think nothing will...

Hi, Gadira! "Treacherous cliffhanger", LOL. Yes, I might have lulled both you and my characters into a false sense of security. But their bliss had to come to an end sooner or later, sadly. I'm glad you liked the action, and those scenes you mentioned. As you say, the death of that man had to be there as a reminder of who Mairon truly is, even if he has been behaving lately. And yo're right: what has happened will have annoyed him no end. More to come.

Ok, so Eonwë cannot die, I'll give you that, if it will make you feel better. ;o)

Thanks for reading and for your review. I'm very glad to know this story is still keeping your interest. Stay tuned, the next chapters will be... a change. I hope you'll enjoy them!

Well, no consolation for this reader in having been proven right about how Manwë may have viewed this gradual change in loyalties by his herald! But it also seems as though Eönwë may have been not only sent, but set up as a irresistible "honey trap" for Mairon: which, if true, will be no consolation for Eönwë either as he is forced towards participation in the inevitable outcome. Forsaken, indeed!

 

Sadly, you are right, ebbingnight. The Valar have their own agenda, as Eönwë has just discovered, and it's their actions that precipitate the later events. As we know, with our knowledge of the later events, their mistake is underestimating their opponent. Can you truly blame Eönwë for reacting as he did before Námo, when he's been betrayed and manipulated by those he trusted?

Yes, life is not particularly being kind to him right now, is it? Yanked away from everything and thrown into the middle of the suspicious Noldor, without kin or friends and banned from saying the truth (would he be believed if he did, anteayer?) I wish I could say that's the end of his misfortunes. It isn't. I hope you keep enjoying his tale. Thank you for your continuous encouragement through your reviews!

I love your descriptions of Lindon here.  Very well done.  The attack by the hawk is such a great moment.  Sending a bird reminds me of something a Greek god would do. And poor Eonwe, this is such an odyssey for him.  I love this: As often before, I railed at those who had snatched my happiness, while my chest ached for Mairon with every breath and every beat of my heart, as though something vital and good had been distilled out of the very air. Our separation was unbearable, but my anxiety for him was worse still.

I really feel for him here.  Great stuff.

I'm so happy you like my Lindon. For whatever reason, I had a very clear picture in my mind of what it looked like from the start, and even fritteted an evening drawing a diagram of its layout on the shore, with ramparts, walls and towers. A Greek tragedy, yes, I've thought of that, with poor Eönwë in the role of some sort of Hercules, forced to undergo all these trials at the whim of a bunch of bickering, decadent gods and villains. I just need to dress them all in short tunics and extricate them from Arda. Thank you so much for your help along the way, and for the review. I know you'll keep me on track to see the end of the epic.

I want to type "this chapter is a lot of fun." Then I question whether "fun" is appropriate desciption for this kind of story. I hope so. Whatever. I love the details. The original of the metal; your creation of a new history for Erestor which I have never seen before. (People do love to reinvent Erestor--myself included.) I am never able to second guess where you will turn next with this story.

He he, I know what you mean about fun, it was actually wicked to get Eönwë into trouble in this chapter. About the Erestor back story, I'm glad you don't think it's completely whacky, or maybe it is but you still bought it, phew! As the tale moves towards better know events I hope I'll still be able to keep your interest.

Thanks for your comment, oshun. I'm so pleased you're coming along on this adventure. I've entered my third year of writing this story and your company is most welcome to keep me trundling along.

You've thought this through so well.  Elrond and Gil-galad's natural suspicion about Eonwe's mysterious background. Poor Eonwe, nearly freed and then . . . I do love Elrond's prescient fit and what he reveals.  When I did the beta I was so tickled to read who Eonwe is.  It makes perfect sense.  Great story!

I'm so pleased it all feels plausible. Once I had the crazy realisation of "The Truth", I spent ages double-checking canon to ensure it was at least feasible, and I was relieved when I confirmed I could plough ahead without introducing any awkward Tardis-like device in the plot. Still, though it made perfect sense to me I feared people may throw things at the screen (or at me! ) when reaching this point in the story. I'm glad that hasn't happened... yet! Have I told you recently what a fabulous beta you are? Thank you for everything, a very large everything, actually!

I think I read this chapter a few days ago and am now up to ch. 11, but I was impelled to circle back and comment on this.  I very much enjoyed your rendition of Mairon in this scene, and onwards.  His pride, eloquence, and demeanor are very like how I've always pictured his character myself.  I especially appreciated his pointing out the presumption of the Valar.

Hello Huinare! I am glad you've wanted to keep reading, I hope you enjoy the ride! Mairon should be, in my opinion, a very twisted character, not the typical cadboard cutout villain, all evil and no feelings, like we are meant to believe just from reading Lord of the Rings. For me, there was a fascination and a challenge in creating a story that would explain his second fall, and this is it, to the best of my ability. As to the Valar, I believe they did a lot of damage with their attitude and the contradiction of over-interference first and later complete abandonmnet of the affairs of the elves and men.

Thank you very much for reviewing, it means a lot to know I'm on the right track!

‘Trite and inaccurate, friend!’ he snarled bitterly. ‘Light is traitorous, darkness is guileless.’

Aside from this line seeming delightfully in character to me, I think there's also a sound logic underpinning it.  It's always been troublesome to me that the Valar are convinced they're on the side of good, but they make so many grave mistakes and cause pain to their supposed charges.  They do seem pretentious, though I suppose they, like Eönwë, have the best of intentions.  By comparison, the darkness seems straightforward, harboring no delusions about its own powers to harm.  Now I'm rambling, but I'm always glad to see these things addressed.

Though I'm not a great friend of graphic slash I've continued to enjoy the later chapters.  Eönwë's good intentions and unwitting arrogance juxtaposed against Mairon's jaded insights make all their discussions and interactions memorable.  This is quite an absorbing tale.

Oh, I'm so pleased I managed to hook you despite your reservations on slash. You see, I never thought at the outset that the story would take me down this path, but the relationship sort of evolved in this direction, including Mairon's dominance, and it was impossible to ignore the sexual element to glue the tale together, as you will realise when it progresses.

The Silmarillion line about Sauron reverting to evil because the bonds Melkor had placed upon him were strong always felt hollow, the type of thing someone from the victorious side would say when they didn't wish to analyse the true reasons for an enemy's actions. I have strived to concoct motivations which are linked to Sauron's corporeal shape and his intimate relationship with Eönwë. Ok, so it is explicit but not gratuitous, I hope, as it has to show the depth of their bond and how it becomes the trigger of what happens later.

The Light and Darkness analogy is my Sauron's own view of his interaction with the Valar, including Melkor. Shadows are cast by light, maybe not out of malice, as you rightly say, by those who claim to own the true beacon, but we know they are not infallible.

Thanks for your review, it's most encouraging to know I'm keeping your interest!

 

 

 

Goodness, how brutal of Melkor.  No wonder Mairon does what he does.  Indeed, this comes together quite nicely, and Mairon's viciousness through most of the tale does make the end of this chapter all the more poignant.

I'm getting a sense that the Valar aren't going to just let well enough alone, and that their inability to do so is going to have a hand in the horrors to come.

Good to hear it all fits together, Huinare, and that you were moved by Mairon's vulnerability. It has taken Eönwë a long time to peel away all of his lover's defence layers and expose what he was hiding all along. Showing Sauron as a victim I'm not passing on the blame for his actions onto Melkor or anybody else, but attempting to build a set of events (plausible, I hope) that explain how they came about. As to the Valar, do you honestly believe they sat around doing nothing all those ages? I reckon they intervened more often in the doings of their charges than the legends and stories tell. So, you may be right...

Thanks for reviewing to let me know you're still following Eönwë's adventures!

 

Oh. OH. 

Uhm, I'm not yet quite sure how to respond to this novel-lenght fic so far. Would it suffice to say my expression througout the chapters was very frequently a perfect immitation of ":-O" ?

Poor Eonwe! Your portayal of the Valar so far is very unsympathetic, but believable because sometimes throughout the Sil they have some very unsympathetic moments already. The discepancy between fate/free will was great, especially because apparenty the Music itself allows for more freedom than the rigid visions of the Valar impose. I wonder if part of the perceived unfairness of the Valar is due to Eonwe being more influenced by Mairon in his thinking than he suspects, and Mairon being nearer Sauron than he suspects? The heartlessness of randomly destroying a people I can imagine without doubting Eonwe's perspective though. They are, after all, something like gods and gods have never cared about a human life or kingdom more or less. 
I loved your worldbuilding!  Kiinlúum was a believable culture all on its own. I noticed you used a lot of Yucatan words. Did you draw other concepts from their culture as well, such as the way the old king died? Nikteháa was a great character by the way, and I felt sorry for her never being able to travel and see it all for herself. Though judging by the manner the Lindon elves spoke of the East, she would hardly have been welcomed with open arms. Maybe it was for the best. 

I feel very sorry for Mairon/Sauron too, especially knowing that he would still end up becoming the exact copy of Eonwe's nightmares even though he at the time he did certainly not want to do so! Eonwe/mairon's relationship was also beautifully written. Though the hot scenes were great, I liked the background story of them as two spirits soaring through the music even better. 

I think I should say more, but I'm not quite over the shock of the whole Erestor thing yet. My jaw actually dropped irl. I just..what what what?! 

Hi Aerlinn! From your comment it sounds as though you have read the whole story very recently and not as the chapters have been published, so welcome! I've happy you found so many things you liked, enjoyed or grasped your attention. I'll try and address your points as best as I can.

Maya influence - as well as the language, I got inspiration from their architecture for the stepped pyres; I believe they also put grains of corn in the mouth of their dead, but the way Chakmool ends his life to guarantee the renewal and prosperity of his realm is my own. As to the language, I wanted something that would not look badly made up next to elvish, and what better than a real language?

Erestor - that was one of the first wacky ideas for this fic. This novel has been well over two years in the making already, but that particular bit was there from the beginning, the same as the relationship between Mairon and Eönwë. I also knew how it would end and several key points along the way, including that "what what what" moment, as you describe it.

You put your finger on one of the core themes of the story: Mairon and Sauron are not that different, and if circumstances had been different (and maybe without the Valar's scheming) the tragic events of the Second and Third Age might have never happened.

And of course I'm glad the hot scenes are... hot!

Thanks for reviewing, I hope you keep enjoying the tale!